Love/Hate: Ninja Gaiden (Master System) (1992)

Welcome back to the Ninja Gaiden Love/Hate series! In this entry, we’ll be looking at Ninja Gaiden for the Sega Master System! Once again, this is an entirely new entry in the franchise, despite sharing a name with (by this point) three other games released in a four year timespan. I was not too keen on the previous Sega-exclusive Ninja Gaiden game, would this attempt on the Master System fair any better? Read on to find out…

Love

  • Graphics – Ninja Gaiden on the Master System is, hands-down, the best-looking classic Ninja Gaiden game. In fact, the graphics are so crisp here that I was legitimately shocked when I found out that the Master System was an 8-bit console like the NES. The graphics here are so much better than any other Ninja Gaiden game of the era that I legitimately thought that this game was designed for a 16-bit console! I adore the art style of 16-bit consoles, so this game is all the more impressive to me for looking this good on such aged hardware! This praise for the graphics and pixel art also carries over to the cutscenes, which are easily the most detailed of the classic era of Ninja Gaiden.

Mixed

  • Control Complexity – One of the most notable new additions in Ninja Gaiden on Master System is that you now have a bit more control over when you grab onto platforms and walls. This is actually kind of nice: in Ninja Gaiden III and Shadow, you would occasionally jump and unintentionally grab onto a platform above you, which could cause you to get hit by an enemy in the process. With that in mind, having some control over whether you want to grab onto a platform is a good idea and it allows the developers to design levels in more interesting ways. However, this decision lays bare the hardware limitations these games are operating under, and how they struggle to deal with additional complexity.
    • Like the NES games, you’ve got a d-pad and two buttons to work with, and the game controls pretty similarly, but now you have to hold the up button while jumping to grab onto a platform. This is a problem for two reasons: 1) It’s annoying to have to hold a button to do something that used to be automatic, even if I can understand why they’ve added this. But, more importantly, 2) It makes it way easier to accidentally activate your ninja arts if you need to attack an enemy mid-jump, which wastes your energy and can leave you without any later if you need it.
    • Similarly, jumping onto a wall has gotten more complicated, for better or worse. You used to just grab onto the wall automatically. Now you need to jump into the wall and continue holding the d-pad in the direction of the wall. This will cause Ryu to turn around, and then you need to press jump quickly while still holding the d-pad in the direction of the wall to jump in the opposite direction. In essence, you’re pressing the d-pad in the opposite direction you want to go in, which gets really confusing. On the plus side, this can allow you to leap back and forth off of walls, opening up new platforming opportunities, but my God is it confusing in execution. I honestly think that this game would have been better off on an actual 16-bit console with more buttons – having a dedicated “grab” button would have made this all so much simpler and with no drawbacks.
  • Difficulty – The people who designed this game are fucking bastards. The NES games are brutal, but their difficulty feels reasonably fair most of the time and the spikes come when they want to test your limits. Meanwhile, the Master System Ninja Gaiden wants to kill you, full-stop. Many enemies move so quickly that you barely have a chance to react to them. The fucking birds are back, and this time they’re even faster and more erratic than ever before! WHY??? And that’s not even getting to the level designs. In the very first level, you complete one area and the next one immediately puts you on a tiny platform over a pit of spikes, so if you were still moving forward absent-mindedly, you would die instantly. It was at that point I went “oh, so that’s the kind of game you’re playing”. What sadistic bastard thought it would be a good idea to have four bird spawn in mid-jump over an instant-death pit? What idiot thought that what an ice level needed was platforms that send you careening forward if you move even a single pixel AND these icy platforms are covered with spikes? Oh, and then they spice things up even more by adding lightning-fast jumping ninjas and piranhas as an extra “fuck you”. Ninja Gaiden on the Master System is a bastard of a game, but I… kind of enjoyed it? Admittedly, most of this comes down to the modern conveniences of emulation mitigating a ton of frustration, but it was to a point where I was starting to predict the next dickheaded move the game would make, prepared myself for it ahead of time, and would have a laugh after each new development. On top of that, the game is pretty generous with its checkpoints and continues (no “oh, you lost to the final boss? Back to the start of the level” bullshit from the previous games). I actually managed to beat this game, which is more than I can say about any of the NES titles with their “fairer” levels of challenge!
    • Oh, and as a bonus regarding the difficulty, there’s a game-breaking bug that makes it significantly easier. If you can get your ninja arts stockpiled up to 999, then you will actually have unlimited uses of your art. Suffice to say, being able to create unlimited rings of fire to intercept every enemy and projectile (not to mention being able to walk on spikes without getting hurt!) was overpowered as fuck and is a pretty big reason why I was able to reach the end of the game in spite of all the bullshit it threw at me.
  • The Story – I kind of view the Master System Ninja Gaiden as the apex of the classic era: sure, it’s got some design flaws that mar the experience, but it’s the flashiest and most refined version of the classic era’s gameplay. However, one notable area in which it falls short compared to the NES games is that its story is significantly less effective. It retains the cutscenes that made the trilogy so famous, but the actual narrative here is disappointing. The NES trilogy were simple, but a lot of effort was put into its characters and wringing drama out of their reactions to the games’ events. Here, they’ve taken a step back – it’s now just about Ryu doing cool shit until the bad guys are defeated. It’s too bad, you can see how this franchise’s emphasis on narrative just dropped off until Ninja Gaiden stories became… well, what we’d new expect out of a modern Ninja Gaiden game.
    • Also, the game has some questionable localization, so you’ll occasionally get a chuckle out of some badly translated line of dialogue.

Hate

  • Multi-hit Enemies – This game introduces lots of basic enemies who require multiple hits in order to kill. Call me old-fashioned, but this feels like it goes against the fundamental design ethos of these games. Why does some mafioso in a suit take two hits to kill, while a nearly-identical one dies in one? I don’t get it, I don’t really like it, and it just feels like an unnecessary extra step to kill an enemy who is almost-certainly dead anyway when you landed that first hit; the second hit just feels like an unnecessary formality at that point.

In spite of itself, I actually quite enjoyed Ninja Gaiden on the Master System. I don’t think it’s quite as good as the first couple games on the NES, but it’s very close, and gives us a glimpse into a potential future where these games continued into the 16-bit era. As a close to the classic era of Ninja Gaiden, it’s a pretty great time and well worth checking out!

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Love/Hate: Ninja Gaiden (Game Gear) (1991)

Welcome back to the Ninja Gaiden Love/Hate series! In this entry, we’ll be looking at Ninja Gaiden for the Sega Game Gear! Despite what its title would suggest, this is not a port of the NES Ninja Gaiden, nor is it a port of the arcade game, but an entirely new game that just happens to have the same name as the others (get used to this, this isn’t even the last game called Ninja Gaiden that we’re going to be covering in this series). To make matters even more confusing, it’s unclear if this game is even considered canon, having an entirely self-contained narrative that sees Ryu Hayabusa having to save the world once again. How would this portable entry on superior hardware hold up in comparison to Ninja Gaiden Shadow? Read on to find out…

Love

…nothing. For the second time in Love/Hate history, there’s nothing particular about this game that I liked, let alone would consider worth mentioning. If I had to say anything even tangentially positive: it’s got Ryu Hayabusa in it, it’s portable, and it’s on the Game Gear, I guess?

Mixed

  • The Graphics – The graphics in this game look like ass. Yes, they are technically more detailed than they were on the NES, but the art style looks so much worse in comparison. That said, I’d be kind of an asshole if I did not put this into perspective: this was a handheld game released in 1991 on the Game Gear. In that context, Ninja Gaiden would have looked pretty damn impressive for its time (especially compared to the Game Boy, whose significantly more limited hardware was still being used into the 2000s). Still… in a modern context where the totality of gaming history is available to us, Ninja Gaiden on the Game Gear looks very unappealing.

Hate

  • Game Feel – The moment you start playing Ninja Gaiden, you get the sense that something is off. Gone is the quick, precise action of the NES trilogy, replaced with a jump which goes very high and is unbelievably floaty. As a result, you’re going to overshoot nearly anything you try to jump to, and then have to wait for Ryu to float down to the enemy or orb to slash it. The pickup orbs, by the way, are tiny in this game, so you’d better hope you don’t miss your slash, or you’ll have to waste a couple more seconds trying again. It sounds really nitpicky when I describe it, but my God does this game feel terrible to play, and it largely stems from the way they’ve designed the jumping/falling mechanics.
  • Enemy Placements are BULLSHIT – Ninja Gaiden on Game Gear is not a particularly difficult game, especially compared to its NES counterparts. However, in an effort to make the game “difficult”, the developers have made most enemy encounters utter fucking bullshit. You will have enemies spawn in, immediately attack you, and you have a fraction of a second to register this new information and respond or you will take unavoidable damage. This happens the moment the game starts and goes on throughout the entire playthrough, it’s utter dogshit design. To get through a level unscathed, you end up needing to have the reaction time of an athlete, or you memorize the entire level and trivialize the entire thing (or, y’know, enjoy the benefits of modern emulation and get through the game stupid-easily).
  • The Skyscraper Level – Whoever designed the skyscraper level needs to be tried in the Hauge for crimes against humanity. What a fucking bullshit level: you’re climbing up the side of a skyscraper while it auto-scrolls upward and have to jump between two buildings to avoid falling objects and kamikaze martial artists. Not only does this mean that you have to react instantly to every incoming object, but if you get hit, you also have to immediately grab back onto the building, or you will fall to an instant death. It’s a cool concept for a level, but the execution here makes for one of the most unenjoyable sequences in the entire franchise.

Ninja Gaiden on Game Gear isn’t the worst game I’ve ever played, but it’s certainly not enjoyable either. I really was not expecting Ninja Gaiden Shadow to be the superior 8-bit handheld experience, but at least I got some fun out of that game in spite of its shortcomings. Perhaps it’s a mercy then that Ninja Gaiden is so short, clocking in at barely over thirty minutes of runtime (hence why this list is also short… there’s only so much you can say about a game that I beat in less time than it took me to write this article).

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Love/Hate: Ninja Gaiden Shadow (1991)

Welcome back to the Ninja Gaiden Love/Hate series! In this entry, we’ll be looking at Ninja Gaiden Shadow, a prequel to the NES trilogy released for the Game Boy! I’m always super leery about Game Boy spin-offs of console games: the handheld was extremely under-powered, so the idea of playing an ultra-precise and difficult Ninja Gaiden game on one sounds like a nightmare. That said, how does Ninja Gaiden Shadow actually play in practice? Read on to find out…

Love

  • New Platforming Tricks – You’d think that Ninja Gaiden Shadow would be content to just coast of the gimmick of being a handheld Ninja Gaiden game, but it actually has a couple fantastic additions to the 2D side-scrolling formula. First of all, you can now press down + jump to hang and/or drop from the platform you’re standing on, which is super useful and opens up new platforming options. The flashiest new addition though is the grappling hook, which has a surprisingly long range that allows you to reach platforms above you that are out of your reach. I love this thing, not only is it useful for the platforming, but it’s so cool being able to dodge an enemy attack by throwing the hook and climbing to safety in the nick of time!
  • Reasonable Level of Difficulty – It’s no secret that I haven’t really enjoyed the extreme difficulty of these old-school Ninja Gaiden games, but I feel like Ninja Gaiden Shadow strikes a pretty reasonable level of challenge. For the most part, it’s not too bad, and there’s enough health pickups that mistakes don’t feel excessively punishing. The last couple bosses are tough, so it’s not like the game is excessively easy either!
  • The Wrestler Boss – Most of the 2D Ninja Gaiden bosses have been pretty forgettable, but Ninja Gaiden Shadow has a boss who is, hands-down, the best boss in the series thus far. It’s a pretty simple fight against a wrestler, which plays out like any other boss in the series… except that this guy has a little minion who you cannot damage. This little bastard will flip around the arena and grab onto you, slowing your movement and making it so you can’t get away from the boss. The resulting fight is still not particularly difficult, but it’s hilarious trying to dodge this gremlin and shake him off before the main boss beats you down!

Mixed

  • Strips Out Most of What Makes Ninja Gaiden Good – Ninja Gaiden Shadow has had to make some heavy compromises in order to function on Game Boy. The platforming is much less precise than on NES, you only get one ninja art that you can use, the narrative is practically non-existent, and the game’s performance is quite poor. That said… I can’t put this in “Hate”, because I got some enjoyment out of my time with Shadow, so there must be some fundamental strength here that they’ve retained which is keeping things fun.

Hate

  • Boss Health Feels Excessive – While Ninja Gaiden Shadow is a pretty easy experience, it does have one particularly frustrating flaw. Due to the hardware limitations, there’s no display showing how much HP a boss has remaining. This would be fine, but I swear that the bosses feel like they take more hits to kill than they did on NES. This gets particularly annoying on the last couple bosses, who require precise maneuvers to avoid getting hit, and you won’t be able to do enough damage to them without dying if you do not perfect your jumps and dodge timing. This is particularly relevant for the goddamn genie boss, who flies around out of reach for 80% of the fight. You might only manage to get in one or two hits at a time before he becomes invulnerable again, making the entire fight an absolute slog.

Ninja Gaiden Shadow makes me question how much I can take hardware limitations into account when judging a game. Taking into account the Game Boy’s limitations, this is a pretty good game. However, by the standards of the Ninja Gaiden franchise, this is a pretty lackluster experience. And, judged entirely on its own merits, Shadow is an incredibly short and mediocre curiosity. It’s a bit of a weird situation overall. I got enough fun out of Shadow that I’d at least recommend checking it out if you’re into 2D side-scrolling action-platformers, but it’s far from a must-play experience.

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Love/Hate: Ninja Gaiden III – The Ancient Ship of Doom (1991)

Welcome back to the Ninja Gaiden Love/Hate series! In this entry, we’ll be looking at the final entry in the NES trilogy, Ninja Gaiden III: The Ancient Ship of Doom! With the NES era coming to a close, Tecmo wanted to get one last Ninja Gaiden game out. This game would have a different creative team who wanted to make changes to the formula and attempt to tell a different sort of story than its predecessors. Would these changes improve the overall experience, or would it cap off the original trilogy on a down note? Read on to find out…

For this article, I played the NES Ninja Gaiden III, as well as the re-released version of the game in Ninja Gaiden Trilogy (the reasons for this will become clear later). Having played both versions, I can confirm that the Trilogy release’s altered graphics, bizarrely, have desaturated a lot of the brighter colours for God knows what reason. This is actively detrimental to the experience: for one example, streams of molten metal in the NES version end up looking like fountains of literal shit in Trilogy. In addition, the soundtrack has been downgraded significantly, reminding me of the hack job they did on Resident Evil Director’s Cut: it’s that level of crap.

Love

  • Further Refines the Ninja Gaiden Formula – You’d be surprised that they could find more ways to refine Ninja Gaiden on NES hardware after the second game, but they sure managed it here. The flashiest new feature would have to be the ability to grab onto overhanging bars and then move forward while hanging, or jump up onto the platform above. This adds an entire new dimension of strategic platforming whenever it is implemented. However, I think my favourite refinement is that you can now see what power-up is inside of each orb before you smash it. This makes it a lot easier to manage your ninja art of choice and know whether it’s worth it to go out of your way for an orb in a dangerous area.
  • Sword Power-up – Ninja Gaiden III adds a new upgrade which extends the range of your sword swing. It should go without saying that this is extremely handy for a game of this sort, but I also like the way that they’ve executed the idea. The upgrade only lasts until you die or reach the end of the current act, whichever comes first. This seems very fair to me, whereas Ninja Gaiden II‘s shadow ninjas were a bit too good and made the game feel so much worse when you died and lost them. Plus, with the aforementioned ability to see what’s inside each orb, you really get excited when you spot one up for grabs!
  • Enemies Don’t Respawn! – OH MY GOD, FINALLY! No more cheesing the game by manipulating enemy spawns, and no more frustration caused by endless respawns, if an enemy is pissing you off, just swing your sword at them. This “Love” is really self-evidently great, need I say more?

Mixed

  • Level Gimmicks – For the most part, Ninja Gaiden III jettisons the level gimmicks which plagued Ninja Gaiden II‘s runtime, and it’s a much less frustrating experience for it. However, they do come back all at once in act six: you suddenly have slippery platforms, foreground obstructions, and quicksand. On the one hand, thank you Ninja Gaiden III for confining this to a single act. On the other hand, the execution of these level gimmicks is at its absolute worst here, with excessively-slippery platforms, foreground obstructions making it impossible to see where the platform ends, and areas where the entire ground is quicksand, forcing you to jump constantly (including after defeating a boss, you still have to remember to jump or you’ll die and get forced to replay the entire boss fight and the run-up to it)!

Hate

  • ABSURD Difficulty – Look, I’m sure that I’ve made it abundantly clear by this point that I do not enjoy old-school difficulty and don’t have the patience to see these games through to the end. I don’t hold that against the games too much though, because they seem like they’re reasonably achievable with patience and practice. However, Ninja Gaiden III takes this to an even more absurd level, where I feel that it’s actively detrimental to the experience. For the first two games, I was able to struggle through to the last act before the challenge just got to be too much. With Ninja Gaiden III, I made it to the start of act three before I rage-quit. This game is, without a doubt, the hardest of the trilogy for one reason: even basic enemies do an idiotic amount of damage. You need to be damn-near perfect to survive this game, because it is incredibly punishing. Making a mistake and taking a couple hits will leave you with a sliver of health, so even tanking a hit to land a jump is an incredibly costly move. Oh, and the game only gives you a limited number of lives with which to complete the game. Perhaps the biggest piss-off though? The game wasn’t even designed this way: Tecmo decided, for the North American release, to just make the game harder, so they increased the damage of enemy attacks, gave you a life limit, and removed a password system to be able to “save” your progress…
    • …which brings us to Ninja Gaiden Trilogy. The version of Ninja Gaiden III in this compilation is based on the original Japanese release, which features the game’s originally-intended difficulty. The differences are like night and day: I could barely get to act three in the NES version, but in Trilogy I actually reached the final boss (the only NES Ninja Gaiden game I could do that for)! So, for all its faults, at least Trilogy makes Ninja Gaiden III reasonably playable!
  • Narrative – Compared to the previous two games, Ninja Gaiden III‘s narrative feels like a step down in quality. While its predecessors had b-movie narratives, Ninja Gaiden III‘s story is intensely bizarre. So, for some reason, the game is an interquel between the first and second games, but it doesn’t bother to tell you this until the very end of the game… There’s a rogue US Agent, Foster, who has created these clone-mutants (called bio-noids, lol) using lingering power from the demon Ryu defeated in the first game. The bio-noids were used to kill Irene, but it turns out that she’s not actually dead, because she knew what Foster was up to and was working with the US army against him. Anyway, the bad guys have cloned Ryu, so he now has to stop this imposter and figure out who killed Irene (but actually didn’t). Got all that? Good, because I haven’t even gotten to the titular Ancient Ship of Doom, which one of the bio-noids has claimed possession of, is going to use it to destroy the world and then replace it with a new one sculpted in his image. Suffice to say, it’s utter nonsense. Worst of all though? Even with the weird things going on, the narrative is not even particularly interesting. The first couple games were pretty simple, but the characters kept things interesting and the abundance of drama made things feel like there were some actual stakes.

Ninja Gaiden III is a weird case. When I was doing well, I found the game to be pretty enjoyable. However, if I made any mistake, I was punished so hard that it made the next mistake I made near-certain death. That just… isn’t fun. I’d be remiss if I did not mention that the version of Ninja Gaiden III in Trilogy is at a level of challenge that feels reasonable, even to a modern audience, so it might be worth a look. When you can actually enjoy playing the game, Ninja Gaiden III is a pretty good time!

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Love/Hate: Ninja Gaiden II – The Dark Sword of Chaos (1990)

Welcome back to the Ninja Gaiden Love/Hate series! In this entry, we’ll be looking at Ninja Gaiden II: The Dark Sword of Chaos, the direct sequel to the NES Ninja Gaiden! With the revolutionary success of the NES Ninja Gaiden, Tecmo set about making a grander and even more ambitious follow-up to try to eclipse it. Could they achieve this lofty goal, or would familiarity and aging hardware result in diminishing returns? Read on to find out…

Love

  • More Ninja Gaiden, But Refined – For the most part, Ninja Gaiden II is more of the good stuff that we got in the original: precise controls, satisfying platforming, and fast combat. The platforming abilities especially have been improved for the better. Being able to to climb up and down any wall you grab onto is super helpful. In addition, jumps feel a tad floatier than the first game. A floaty jump can be annoying, but they’ve tuned it well here. This makes it easier to jump off of a wall and then immediately turn around to get “up” onto a platform, and can make it a easier to land a strike at the peak of your jump. If anything, combat has become even more precise. You need to time your sword strikes just right to land a hit: even a fraction of a second too early can result in you getting hit instead.
  • More Emphasis on Story – While the actual narrative of Ninja Gaiden II is very simple (the secret bad guy behind the first game has kidnapped Irene, go take him out), the emphasis on cinematic storytelling is even greater than it was in the first game. Cutscenes are interspersed a bit more frequently to tell the game’s story, and really do a good job of making you feel like you’re part of an epic quest. As far as NES narratives go, this is about the best you could look for outside of a JRPG.
  • Graphics – Ninja Gaiden was already a pretty good looking game for the NES, but the 8-bit pixel art in Ninja Gaiden II is downright gorgeous at times. In particular, the sun-soaked approach to the demon altar is jaw-dropping stuff and really gets you in the mood for an epic showdown!
  • Difficulty – The difficulty in the first Ninja Gaiden felt downright unfair towards the end, throwing so much at you that you had to either memorize the entire level, or manipulate the game’s hardware limitations to make it through with enough health to survive the boss encounter. Ninja Gaiden II seems to strike a somewhat fairer balance: most enemies move slower and more predictably, giving just enough time to figure out how to deal with them without feeling like you’re going to be overwhelmed. I also found that health items drop more frequently than they did in the first game (to the point where I didn’t know that the first game even had health drops at all!). Sure, this is still an old-school hard game with its own levels of bullshit, but it feels significantly more manageable than the first game or Ninja Gaiden (arcade) did… That said, I did end up giving up in the last level again, but I got a lot further and felt a hell of a lot more motivated to get better than I did playing the first game, so that’s a plus.

Mixed

  • Shadow Ninjas – A new feature of this game is that you can get up to two “ghosts” of Ryu which will follow you and attack whenever you do (including using your sub-weapons!), potentially killing nearby enemies or dealing bonus damage to a boss. On the one hand, I’ll welcome anything that makes these games’ difficulty a bit more manageable for me, and lining these shadow ninjas up to damage an enemy while you’re safely off to the side can be pretty satisfying. On the other hand, they feel borderline overpowered, especially since they can clone your ninja arts and just wipe the screen clean of enemies. This also results in a general sense of screen clutter. I’ve had several enemies rushing at me that I never noticed because of all the crap my shadow ninjas were doing at the same time. Finally, when you die, your shadow ninjas go away until you find more item pickups for them. This, frankly, just makes you feel like crap when it happens, leaving you significantly depowered and invariably making the run back to whatever killed you even harder than it was the first time. As cool as they can be, I’d honestly just prefer a game balanced around the player character taking on everything themselves.

Hate

  • Stage Gimmicks – By far the worst addition in Ninja Gaiden II is this game’s obsession with filling most of the levels with some sort of new gimmick… and they all suck.
    • First of all, there’s the gusts of wind that blow you around uncontrollably. You have to actively push against them, or they’ll blow you right off of platforms. This would be fine, but the main issue is that you simply cannot make a jump if the wind is against you. Winds change direction after a few seconds, so this can get you hit and/or killed if it happens at an inopportune time.
    • Then there’s the level where it’s pitch-black night and you can only see the path forward during the occasional lightning flash. Honestly, this gimmick was my least-hated one, despite being potentially lethal to have to make a jump while blind. I think that this frustration was mitigated by the sheer fact that Ninja Gaiden II‘s platforming controls are stellar, and this stage has been mercifully designed in a way that you aren’t dealing with this while simultaneously being overwhelmed by multiple enemies (also, y’know, emulation conveniences help too).
    • Then there’s the icy platforms. Is there a single person out there who loves ice levels in platformers? As you’d expect, these ice platforms cause you to slide, and standing still on one will take a couple seconds to build up momentum to be able to move again. This sort of imprecise platforming goes against the entire reason I enjoy these NES Ninja Gaiden games in the first place, why would you ruin a level like this?
    • Then there’s the level where large ruins in the foreground block your view of Ryu, platforms and enemies throughout the level. What idiot thought that it would be a good idea to have an action platformer level where you can see neither the action, nor the platforming!? I don’t think I even took a hit because of this, but it’s the principle that counts!

Overall, I found Ninja Gaiden II to be a more fun experience than its predecessor. Tuning down the old-school difficulty just a smidgen makes its challenges something that I actually feel motivated to try to overcome. It’s basically just a more refined version of its predecessor, but that’s all it really needs to be!

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Love/Hate: Ninja Gaiden (1988)

Welcome back to the Ninja Gaiden Love/Hate series! In this entry, we’ll be going back to the “true” beginning of this franchise: the other 1988 Ninja Gaiden game released on the NES! Despite sharing a name, publisher, and a release year, the two games share nothing in common. While the arcade game was a side-scrolling beat ’em up in the vein of Double Dragon, this NES game was a side-scrolling action-platformer in the vein of the original Castlevania. That said, the arcade Ninja Gaiden didn’t exactly hold up to the test of time, would this console attempt fare any better? Read on to find out…

For this playthrough, I used the original NES Ninja Gaiden. There is also a SNES re-release of the first three games in the trilogy, fittingly-titled Ninja Gaiden Trilogy, which slightly improves/alters the graphics. However, this re-release is generally considered inferior for how it fails to translate some aspects of the original experience (eg, missing parallax scrolling, altered graphics affecting the tone of certain scenes, much worse music, etc), and the controls are noticeably less-precise, which makes it a more frustrating experience. In general, it’s considered a rushed, low-quality re-release, so most fans recommend playing the originals instead. For this Love/Hate series, I played the NES originals unless otherwise noted.

Love

  • Precision – If there’s one word you could use to describe Ninja Gaiden on NES, it’s “precise”. The game’s controls are immaculate, giving you very fine control over your jumps and near-immediate feedback when you attack with your weapon. This core strength just makes the rest of the gameplay feel very satisfying as you learn to expertly line up your jumps and time your attacks.
  • Combat – Compared to Ninja Gaiden (arcade)’s extremely sluggish combat system, Ninja Gaiden on NES is incredibly snappy. Sword strikes are fast, one-shotting all regular enemies and destroying most projectiles. Despite having only two buttons and a d-pad to work with, the game also features several special weapons and techniques that you find and equip in the overworld (again, which operate like Castlevania‘s sub-weapons). They’re mapped to up + attack, which is good enough to pull off when you need it, while not accidentally using them when you weren’t intending to.
  • Platforming – Ninja Gaiden is as much a platformer as it is an action game, and those precise controls really help in this regard. Jumping feels very intuitive and landing where you want to rarely presents a problem. Any deaths from falls will almost always be down to enemy attacks or your own errors rather than the game’s controls. The game’s platforming also is enhanced due to Ryu’s ability to grab onto walls, which allows him to cling to them and then jump off. This ability provides some really creative and fun platforming opportunities that you wouldn’t expect from a game this old.
  • Narrative Presentation – Ninja Gaiden was revolutionary at the time of its release for featuring fully-fledged, animated cutscenes. Some games had experimented with this concept, but Ninja Gaiden was one of the first on NES to showcase it and to make story presentation a core part of the experience. These animated cutscenes are actually pretty lengthy too, totaling around twenty minutes of runtime! While the story itself is still just b-movie level stuff (the bad guy steals the demon statues to summon a slumbering demon and Ryu needs to get them back), it takes this plot more seriously than its arcade contemporary and lacks that campy tone as a result. I dare say that the ambition on display here arguably makes this game’s narrative a bit more compelling than some of its 3D-era successors.

Hate

  • NES Difficulty – NES-era games are notorious for their ridiculous and downright unfair levels of difficulty, and Ninja Gaiden is known for being one of the toughest of the bunch. While the game’s great controls and combat mitigate the frustration, surviving in this game often comes down to a matter of luck, or memorization of enemy placements through trial and error. It gets so bad that you end up having to manipulate the game’s spawn system, moving back and forth in specific ways to de-spawning enemies to clear a path forward. Beating the game is certainly doable with practice and skill, so it is somewhat satisfying to get to grips with, but it’s asking for a lot of commitment up-front to deal with that frustration. Thankfully, modern conveniences, such as save states and rewinds, also help to mitigate this frustration, but by the time you face off with Bloody Malth and then move into act six, the game’s difficulty goes into overdrive. You’ll have to navigate an overwhelming number of enemies, make near-frame-perfect jumps to avoid certain attacks, and you don’t even have a way to heal any damage you may end up taking. As the ultimate piss-off, the game ends with a triple boss gauntlet, where you get thrown all the way back to the start of act six if you fail. It’s just punishingly difficult and merciless, demanding perfection if you want to see the end credits. Even with save states as a fallback, the frustration wasn’t worth it for me: I gave up in act six and just Youtubed the finale.
  • FUCKING BIIIIIIIRDS!!! – This ties into the previous section, but fuck birds. These flapping bastards will spawn in as you go to jump, nailing you mid-air when you cannot react and sending you to a cheap death. Even if you know they’re coming, they move erratically, potentially landing a hit on you that you simply cannot stop with an attack of your own. I am not exaggerating when I say that these dickheads are the most annoying basic enemy in the entire franchise.

In spite of its ridiculous level of difficulty, Ninja Gaiden is well-worth trying out, even today. Given that the NES was the most popular console of its day, Ninja Gaiden‘s narrative presentation was nothing short of revolutionary, influencing all future games that would adopt more involved and cinematic narratives. The gameplay is quite fun too, although the signature old-school difficulty means that this is a game that you’ll go in to with the understanding that you probably will not see the end.

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Love/Hate: Ninja Gaiden (Arcade) (1988)

It’s time for the long-awaited Ninja Gaiden Love/Hate series here on IC2S! This series has been a long time coming, largely down to me being an obsessive psycho: it wasn’t enough to play nearly every version of the modern Ninja Gaiden games, I had to go back to play the originals for the first time too! As a result, we’re kicking this series off with the 1988 arcade game, Ninja Gaiden (which is going to get confusing fast, because this is not even the only game named “Ninja Gaiden” which released in 1988)! As a rural child of the 90s, the arcade boom completely passed me by, so I was completely unfamiliar with this game going in. How does it hold up, both as a game and as a part of the Ninja Gaiden franchise? Read on to find out…

Love

  • Old-School Charm – Ninja Gaiden feels like a relic of the 80s, which gives it a lot of sincere charm that cannot be replicated. The game’s setup is pure 80s ninjasploitation B-movie cheese, with Ryu coming to America to beat up an assortment of weirdos dressed like Jason Voorhees and Arnold Schwarzenegger. The graphics are pretty rudimentary, but they would have looked pretty good in the arcades in 1988. While I didn’t experience that era myself, they still illicit some nostalgia from me, reminding me of the style and palette of MS-DOS games from the 90s. The end-level screens where you get an image of Ryu doing some comedic activity (ordering sushi in an extremely serious manner, gambling in a suit while still wearing his mask and flanked by a couple bunny girls, etc). Best of all though are some of its hilarious and memorable sequences, such as the infamous “CONTINUE?” screen which sees Ryu tied to a table as a buzzsaw lowers towards him (better put in those coins quickly!). For all its shortcomings, I can at least see how someone can enjoy the little hit of nostalgia this game brings with it.
  • Homoeroticism – This is the most 80s-gay game I’ve ever played. The game’s opening cutscene has a lingering shot of Ryu Hayabusa’s lusciously-rendered pixel art ass. You’ve got a bunch of shirtless muscle-bound men, leather daddies, and bears beating you down for the entire game. There are muscle men sea serpents… which would be weird enough, but the fact that you encounter them in the fucking Grand Canyon makes it all so much more bizarre. The final boss has a painted mural showing off his goddamn ass in his boss room! I’m not gay myself, but I found it very funny once I noticed how unusually homoerotic this game was. Honestly, it’s kind of refreshing: this is the kind of representation that the video game industry took away from us in the 90s when it began catering only to teenage boys!
SEE? I’M NOT KIDDING!!!

Mixed

  • The Sword – When you have a sword, this game’s combat is actually fun. You can kill all enemies in 1-2 hits and you knock them back, which gives you some crowd control options. Unfortunately, this is short-lived, because the sword is a random weapon pickup that only lasts for ten hits before it breaks, what the actual hell!? Why would you develop fun gameplay and then intentionally limit it to a matter of seconds? It makes it feel worse than if it was not there at all!
    • Side-note: this is the one game outside of the Dead or Alive series where Ryu Hayabusa is using his martial arts primarily. Dude is literally choosing to save the world with a handicap.
  • The Jump Throw – By jumping and then pressing the X button when landing near an enemy, Ryu will grab them and throw them across the screen. Not only does this damage them, but it also knocks them down and stops them from doing anything for a couple seconds. This kind of breathing room is crucial in this game’s combat, so you end up spamming the hell out of it for the entire game. By the way, I do mean the entire game, as every single boss can be jump-thrown as if they were a regular enemy. It’s to the point where it actively feels overpowered in a way that’s detrimental to the combat gameplay, since you’re putting yourself at a disadvantage unnecessarily by not using it.
    • Also: they literally recreated this move in the 3D games with the guillotine throw! I love those kinds of callbacks to the classics!

Hate

  • Arcade Game Design – Arcade games are inherently flawed due to their business model requiring them to be frustrating and unfair. Ninja Gaiden is no exception. Sure, emulation and modern re-releases have given us unlimited credits and save states, but their design is still infected to the core to be bullshit. Ninja Gaiden will throw you into fights with so many enemies that you can get stun-locked to death. You end up surviving, not by skill, but by exploiting the enemy AI to get cheap kills (ie, standing in a corner and spamming the X button to hit them the second they step into your reach, jumping to a lower level and then attacking them while they’re stuck in their climb animation). This bullshit got to its absolute worst in the last level, where most of the enemies you encounter will take off 66% of your health in a single hit! How are you expected to beat this, even with unlimited credits!? I got to the last level, but it was such a piss-off that I said “fuck it” and quit.
  • Hardware Limitations – Some of Ninja Gaiden‘s issues seem to stem from the very hardware it was forced to use:
    • There’s only three buttons and a d-pad for them to design the gameplay around, and one of those buttons ends up getting wasted on a “hold” move to grab onto platforms. It rarely gets used, and the cynic in me believes that it’s only here to make players forget about it and get some cheap deaths on the few occasions where it’s needed.
    • The 2.5D layout makes it hard to tell whether you will be able to hit an enemy who is right beside you or not. Judge wrong, and you will inevitably get hit instead.
    • There is very little variety to the enemies, and all the bosses are recycled wholesale multiple times (remember, this is a ~45 minute game with only six stages, so you’re going to notice how repetitive this is).
  • The Combat – Combat in this game somehow manages to be slow and tedious, despite simultaneously swarming you with enemies. This is largely because landing a “hit” is done with a three-strike combo animation (this goes for your attacks and your enemies’). As a result, every single fight is taking three times longer to complete than it needed to. It also makes taking a hit feel even more punishing and demoralizing as you sit there for a couple seconds waiting for the animation to play out.
  • FUCKING CLAW TRIO MOTHERFUCKERS – I WAS ABSOLUTELY RAGING WHILE FIGHTING THESE SONS OF BITCHES. This boss is what it sounds like: a trio of guys with claws. What makes them truly rage-inducing is that, when you hit them, they’ll usually dodge and then perform a counter-attack. The only way you can avoid damage is if you side-step immediately. This was bad enough the first time we fought them, but they show up again in the final stage and they now will one-shot you!!! It’s so overly-punishing and spiteful, I hate these bastards with the core of my being.

Ninja Gaiden arcade is a relic of its time. As far as side-scroller beat ’em ups go, it’s very basic and would be quickly eclipsed by much faster and more complex contemporaries. As a result, it just feels so slow, tedious, and repetitive. On its own merits, it does not hold up today at all and any enjoyment you’ll get out of the game will be more down to nostalgia and curiosity rather than any actual compelling design. That said, it only takes about an hour to beat and modern emulation stymies its most egregious design choices, so at least it’s a curiosity that won’t take up too much of your time.

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Halo: Final Thoughts (BONUS)

And with that, we have completed another Love/Hate series here on IC2S! I’m so glad that I managed to finally get through the Halo games – like I said at the start, I’ve had a lot of enthusiasm for this series, long before I got a chance to play them for myself. As you can see with my Top 100 Video Games of All-Time list, Halo 3 was such a well-crafted shooter that it made the list, and Halo 2 even cracked my top 25, which is pretty wild for a game I played for the first time only a few months prior! Funnily enough, my son has somehow found himself interested in Halo after getting some of the Mega Bloks figures. During the course of these playthroughs, we had a few magical evenings where he would sneak down past his bedtime and excitedly watch me play some Halo for a little bit, delighting in seeing Master Chief kick some ass before being sent back to bed. Hopefully I’m instilling in him some of that same wonder that first made me fall in love with this franchise.

As a bonus, I started 2025 with a throw-back session of Halo 3 multiplayer with friends. It was absolutely glorious, we all had a blast fragging each other. I honestly think that these games’ multiplayer modes might be even better today than they were on release – it’s so refreshing to play a multiplayer shooter that doesn’t have any battle passes, live service bullshit, paid cosmetics, daily/weekly challenges, etc. It’s just pure, unadulterated fun, tuned just the way you like it, thanks to Halo‘s fantastic custom game options!

Halo Games Ranked

Here is how I would rank the mainline Halo games’ campaigns:

If you read all of my Love/Hate articles, then I feel like these rankings should be pretty self-explanatory. However, these rankings would be a bit controversial in the Halo fandom, so…

  • S-tier: Halo 2
    • Halo 2 is simultaneously the most unabashedly fun game in the franchise, and expands the narrative scope to a far grander and cinematic degree. Is it more linear? Sure, but I do not particularly mind when we get linear games like this (also, I think people overstate how open the original Halo was). Halo 2 is a fantastically-curated injection of fun.
  • A-tier: Halo 3
    • Gameplay-wise, Halo 3 is probably the tightest, most well-balanced, and best-developed campaign in the franchise. However, its narrative is pretty weak for a trilogy-closer, especially in comparison to its predecessor, which makes me less-enthusiastic about it. I love a satisfying ending, so Halo 3‘s weaker narrative is a legitimate mark against it for me.
  • B-tier: Halo Infinite, Halo: Combat Evolved, Halo: Reach
    • Halo Infinite at the top of B-tier and ahead of Combat Evolved is probably my most controversial opinion on this list, but I loved its gunplay that much. If not for the open world hurting the game’s level design, this could have had a serious shot of hitting A-tier, that’s how much fun I had with it.
    • For a lot of Halo fans, Combat Evolved is their favourite game in the franchise, so seeing it rank below Infinite is probably infuriating them right now. I’ll reiterate what I said before: the level design is just not fun to play. Between confusing levels with reused assets making it difficult to tell where you’re supposed to go, and repetitive encounter design, I spend way too much time in Combat Evolved not enjoying myself to truly love it. That said, it laid a rock-solid foundation and I really have to give it credit for how revolutionary it was on release.
    • Halo: Reach was somewhat disappointing to me. Its narrative and characters just didn’t resonate with me, and the fairly substantial changes to the series’ gameplay makes it less fun to play than Halo 3 was for me. It just kind of plodded along and then, suddenly, it was over. It definitely gets better as it goes, but I didn’t like it anywhere near as much as I wanted to.
  • C-tier: Halo 4, Halo 3: ODST
    • Halo 4 operates kind of like fridge logic: you enjoy yourself when you’re playing it, but when it’s all over and then you think back on it, you decide that you enjoyed it less and less. It’s decent, but definitely a step down after one of the greatest game trilogies of all-time.
    • Halo 3: ODST down this low is probably the second-most controversial opinion on this list. Some people will say that this is their favourite campaign in the franchise, and claim it’s so deep and emotional: what game are you people playing that I missed out on? I cannot stand the characters’ dialogue, the semi-open world sections are dull, and the combat encounters are poorly-balanced.
  • D-tier: Halo 5: Guardians
    • Halo 5 was obviously going to be at the bottom of this list, to the point where I almost considered putting a tier between C and D and calling it “comically empty space to emphasize how much Halo 5 sucks”. It’s a bad Halo game in particular, but it’s not even a good co-op shooter either.

Halo Weapons Ranked

There are a lot of weapons over the course of this series, so naturally I wanted to rank them. Note that I am not ranking each individual weapon for each time it appeared in a game; rather, I am only using the best version of each weapon, which will be noted on the image. Some weapons are technically “different” weapons in subsequent entries, but if it’s just “_____ with a different name”, I’m just going to cover the peak version of that gun. Some weapons don’t really have a “peak” version, so I’ll go with the game that introduced them instead (eg, the sniper rifle is great and basically the same in every Halo game, so I’ve assigned it to Combat Evolved). Finally, Halo 5 and Infinite have “upgraded” versions of each weapon, which I’m ignoring entirely, since they would throw off the entire list.

Okay, got it? Here’s my ranking of the weapons:

There’s no way in hell that I’m explaining all these individually, so I’ll let this list speak for itself. However, I will break these down by game to see which one has the best weapons! There are 60 weapons on this list, but I’m going to exclude the 7 grenades since they can’t really be associated with one particular game, for a total of 53 weapons across 8 games to look at. Points will be awarded with the first place (M90 Shotgun) getting 53 points, the second place (Beamrifle) getting 52 points, and so on.

So, with that said, here’s how the points broke down:

  • Halo: Combat Evolved: 169 points (42.25 average)
  • Halo 2: 253 points (36.14 average)
  • Halo 3: 255 points (23.18 average)
  • Halo 3: ODST: Literally fucking zero, lol.
  • Halo: Reach: 151 points (16.78 average)
  • Halo 4: 249 points (27.69 average)
  • Halo 5: Guardians: 67 points (33.5 average)
  • Halo Infinite: 287 points (26.09 average)

Some observations from this data:

  • Halo: Combat Evolved has only a few weapons that have stood the test of time compared to its sequels, hence its fairly low point total. However, those weapons that have continued to stand out are top-tier (literally, that game’s shotgun is insane and topped this list without question).
  • Perhaps unsurprisingly, Halo 2‘s weapons have also really stood out for being great, with the second highest overall average and a very high point total. I would say that, arguably, this would make it the strongest overall roster (if not for the completely outclassed Brute Plasma Rifle, this game’s overall average would be nearly identical to Combat Evolved).
  • Halo 3 is, unfortunately, brought down by its glut of very mediocre weapons, which tank its overall average. It’s probably got the best-balanced weapons of the entire franchise, but it doesn’t really reflect well on this list, because many of its weapons end up getting poached by other entries in the franchise where they performed better.
  • Halo 3: ODST getting zero points doesn’t surprise me much. No weapon in that game really stood out to me, and it plays worse than Halo 3, so this was kind of inevitable.
  • Halo: Reach has a lot of unique weapons, so it was inevitably going to get some points here, but having the lowest overall average and a very low point total shows just how “good” these additions were. If not for a series-best Needler, things would be pretty dire.
  • Halo 4 also introduced a lot of new weapons, four of which ended up being personal favourites, which give it a solid overall average. The guns here are pretty good, what else can I say? Oh, one thing to note though: if I was counting grenades, then Halo 4‘s average would get tanked, because Splinter and Pulse grenades SUCK.
  • Halo 5: Guardians only had two entries on this list: the most overpowered Plasma Pistol in the franchise, and the Splinter Turret. All of the other Promethean weapons were more interesting and fun in Halo 4, so this game gets absolutely screwed as a result… which is good, because it’s what it deserves.
  • Like 4, Halo Infinite introduces a glut of new weapons to the franchise, but most of these are incredibly fun to use, hence its highest overall point total. However, it has a fairly low overall average due to the really generic UNSC rifles and the awful Disruptor pistol.

Halo Enemies Ranked

Like the previous category, I’m taking into account only the “best” version of any particular enemy type across the series. I’m also not differentiating the sub-classes of enemies (Elite Zealots, Brute Chieftains, etc), each ranking has taken them all as a whole. The main exception to this are Jackals, which have a few very distinct variants, which I have given their own entries:

And, just for fun, we’ll do the same scoring system as last time (out of 21 total entries):

  • Halo: Combat Evolved: 96 points (10.66 average)
  • Halo 2: 27 points (9 average)
  • Halo 3: 0 points… ouch.
  • Halo 3: ODST: 9 points, both total and average.
  • Halo: Reach: 15 points… again, both total, and average.
  • Halo 4: 18 points (9 average)
  • Halo 5: Guardians: 18 points (9 average… I’m noticing a pattern here)
  • Halo Infinite: 27 points (13.5 average)

I definitely need to give some observations from this data since, now that I have it call collated, it’s skewed pretty badly by the small sample size:

  • It should really go without saying that Halo: Combat Evolved skews these numbers significantly, claiming 9 out of the 20 enemy types on this list. This game established how the core enemy types play (Grunts < Jackals < Elites). In nearly every subsequent game, they’ve either functioned identically, or they’ve been notably worse. It’s amazing how well they captured the fundamental essence of these enemy types right out of the gate, and the game deserves all the accolades for it. However, the Flood enemies drag the total down somewhat – they’re decent as a way to shake-up the core gameplay, but they are very repetitive to fight and you quickly tire of dealing with pod infectors and bursters, not to mention all the ones firing rocket launchers at you. The Sentinels are also really dull and ineffective enemies.
  • Halo 2 mostly continues the formula established by its predecessor, but it does introduce a couple new enemy types. Most notably are the notorious Jackal snipers. They are potentially lethal, but they’re handled fairly in my opinion and are a pretty ingenious addition to the formula. The Drones are also a fairly unique and underutilized enemy type, but they’re at their best here in this game. Unfortunately, this game also has the Sentinel Enforcers, those annoying-ass, large, shielded sentinels that you have to blow apart piece by piece to defeat. Every time I had to fight these things, it was a total slog. The only thing keeping them from the bottom of the list is that they’re at least an uncommon enemy type.
  • Halo 3 had zero enemies make the list… which, I guess, isn’t too odd, since it’s basically a trilogy-closer and isn’t introducing anything completely new. In my opinion, its enemies aren’t doing anything particularly new or notable compared to its predecessors or successors.
  • Halo 3: ODST, on the other hand, actually gets some points this time, for the Engineers. These guys have been very under-utilized through the series, mainly because they aren’t impactful by themselves and have the potential to be annoying when they buff all nearby enemies with an overshield. I didn’t find them that annoying in my playthroughs, hence their fairly middling placement.
  • Halo: Reach is another game that basically just has the same enemies as before, although it does introduce one new enemy type: the Jackal Skirmishers. These guys aren’t as fun as regular Jackals, but they do shake-up their playstyle substantially – instead of being slow with a big shield, they’re fast with a could small shields. A solid, late-game introduction to the series.
  • Halo 4 introduced the Prometheans… which doesn’t help it too much, because there were only a couple different types of Prometheans, and they aren’t as fun to fight as the Covenant are. In particular, the Watchers are known for being really annoying, due to running away and resurrecting Knights. I did not have much issue with them in my playthroughs, but I could see them being lower in some peoples’ estimation.
  • Halo 5: Guardians, we actually have a couple interesting notes here. The Knights are significantly more fun to fight than they were in Halo 4, hence their fairly high placement in B-tier. However, I really disliked the Armiger Soldiers, which are kind of like mini-version of the Halo 4 Knights, which dragged the game’s overall score down.
  • Finally, we have Halo Infinite, which pulls off a coup by finally perfecting the Brutes. These guys have been a questionable enemy type for so long in the franchise, and have seen so many re-designs to try to get them to work, but I actually really enjoy fighting them in this game. Infinite also features the Skimmers, which show up on occasion and sort of act like the Drones. They don’t make a huge impact, but the Brutes were so good that, funnily enough, they manage to give Infinite the second highest average. Obviously, this is due to the tiny sample sizes, and due to Combat Evolved hogging most of the best enemy types, but funny to note nonetheless.

What Does the Future Hold For Halo?

The future is pretty uncertain for Halo. Halo Infinite‘s launch went well, but it very quickly bled players due to monetization and content issues, and the game has underperformed as a result. 343 Industries has also suffered mass layoffs on both the management and developer level, the studio itself has been rebranded as “Halo Studios”, and they will be using Unreal Engine for any future games rather than Halo‘s traditional, proprietary engine. So… honestly, no one really knows what will happen, but at this point, Microsoft has mismanaged the franchise so badly that there’s no sense in getting too excited for the future.

Personally, what would I like to see for a future Halo game? Well, as much as I enjoyed Infinite, I don’t think it’s the blueprint for the franchise’s future. You can’t just keep making Master Chief fight the Covenant on a Halo ring over and over again. You can get away with a throw-back once in a while, but when that’s done, you’re stuck in the same place you were at before.

I’d also prefer a more curated, linear level design again, but I am fine with the games remaining open world if they can refine the formula and make it more interesting to avoid modern-day open world fatigue. If we can keep the gunplay as good as it is in Infinite, then they’ll already be a long way towards success.

Aaaaaand that’s it for another Love/Hate series! I already have my next one in mind and will begin playing/writing it soon. Writing this one took me a couple months, so don’t expect the next one any time sooner than that. In the meantime, I’ll continue writing and posting here whenever the mood strikes me. (Also, I will continue/finish the Resident Evil Love/Hate series at some point in the future. I have not forgotten it or shelved it for good! I’m just having fun enjoying other things right now!)

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Love/Hate: Halo Infinite

Welcome back to the Halo love/hate series! In this entry we’ll be going over the most recent game in the franchise Halo Infinite. After all the shit 343 Industries had put the fanbase through, expectations were really low for this game, and then got even worse when people saw the reveal trailer, which necessitated a delay to polish the game up for launch. Since then, I’m aware that the game has been through some major highs and lows, so I wasn’t really expecting a whole lot going in. Could 343 finally right the ship and deliver a worthy follow-up to Bungie’s trilogy? Read on to find out…

Love

  • The Gunplay – As far as I’m concerned, Halo Infinite has the best gunplay of the franchise since Halo 3. Shooting enemies just feels so good. This is largely because your shots feel like they have real impact when they land and there’s some really satisfying feedback that goes along with it. This is best exemplified with the big power weapons, which impact with a massive explosion of fire and colour and a satisfyingly loud bang. Even smaller, standard weapons like the Mauler pack a punch and are really satisfying to blast away your foes with. It feels like they took a cue from Doom (2016) and put a ton of effort into making sure that combat makes you feel like a total badass.
  • Enemies Have Personality Again! – The Covenant in the first couple Halo games had so much personality, making them into some of the most fun video game enemies to fight. Grunts screaming and running when you started killing their comrades, contrasted with the tactical, honourable combat of the Elites made the game feel like it wasn’t just a simple shooting gallery. This was eroded away over the course of the series, with them eventually just feeling like regular video game bad guys that you need to shoot to win the game. In Halo Infinite though, the Covenant soldiers have so much personality again. This is largely due to them being extremely chatty – you’ll hear Grunts acting arrogant, only to immediately start squealing and freaking out when they see you, Jackals obsessing over collecting your bounty, Brutes yelling taunts, and Elites steeling themselves for battle, etc. All this chatter almost makes me feel sorry as I mow them down by the dozen.
    • Also, on a somewhat related note, the enemy variety in this game is fantastic. There have been different tiers of each Covenant troop in all previous games, but they’ve been expanded here and are more notably differentiated in my opinion. For example, let’s look at just the Brutes: we’ve got the standard Brutes, multiple variants in heavy armour, guys with jet packs and heavy weapons, chieftains with various weapon configurations, and even melee-only berserkers who rush head-long at you. Oh, and any one of these can have shields and various weapon combinations, making the variety of combat scenarios even among one enemy type truly vast. Good God, I can’t believe I’m saying this, but I actually really enjoy fighting Brutes in this game!
    • On another related note, I love the UNSC banter in this game. They spout all sorts of cheesy one-liners which perfectly capture the feel of early 2000s video game writing.
  • New Weapons – As usual, Halo Infinite introduces a bunch of new and remixed weapons and, due to this game’s emphasis on fun gameplay, there are some truly awesome additions. My personal favourites are the Skewer (which fires a massive, impaling spear which one-shots most enemies), the Hydra (which is kind of like a Halo version of the 40k boltgun, with an alt-fire mode that homes in on enemies!), and the Heatwave (a shotgun that allows you to set its spread to go horizontal or vertical, making it much more accurate at longer ranges). Making things even better, most guns have special upgraded versions which you can get, which make them even more devastating to use. Legitimately, the only weapon I don’t like is the Disruptor Pistol, but everything else I will gleefully pickup and mow down the enemy with.
  • Grappling Hook – Ever since Halo 3 introduced equipment pickups, these games have really struggled to introduce an equipment ability which really sticks with you. The Grappling Hook is easily the best addition to the core formula, bar none. I (perhaps notoriously) hate open world games with dull traversal, but the grappling hook makes swinging about this world quicker and more entertaining, while also opening up space for creative mobility during combat. Making things better, the grappling hook has offensive abilities too, allowing to you grab distant weapons and items, and you can also hook an enemy to swing in for a melee strike. It can also be upgraded to stun enemies, which can be really helpful when you’re getting beat down by a particular guy with a power weapon and need to close the distance to them quickly.
  • The Story – Halo Infinite‘s narrative is definitely an improvement on the previous two 343 Industries games. While Halo 4 was bogged down by lore and Halo 5 was vapid and rushed, Infinite takes a more cinematic, character-driven approach that makes it feel more akin to Metal Gear Solid 5 than its two predecessors. The overall story here is basically a throwback: you’re on a Halo ring and the Covenant Banished are trying to activate it, so you have to stop them. The villains also have a fairly large role in the narrative and often show up to taunt you directly. So, while they are fairly generic and melodramatic, at least they leave more of an impression than, say, the Didact or Eternal Warden did. It takes a while to get there, but this story does end up being fairly entertaining by the end.

Mixed

  • Scan Pulse – Halo Infinite introduces a “scan” button, which will send out a pulse which briefly points highlights all weapons, enemies, and interactable objects in the vicinity, and will display where your objectives are. It’s definitely handy, but it also just feels like a crutch: I constantly want to press this button to make sure that I’m not missing anything. The only reason I don’t do it is because that’s really fucking annoying to keep up, so I just resign myself to missing things. That said, there are times where you actually do need it, because you can’t find some random panel where you need to press a button to advance the mission, and it won’t make that clear to you. Maybe it’s just like this because modern games have gotten so big and detailed that it’s way too easy to miss anything important, but it feels like an inelegant solution to the problem.
  • The Characters – A character-driven story needs its characters, and while they are a bit of a mixed bag, what we get here is an improvement on the last couple games overall. First of all, Master Chief is back to being the effortless badass he was in Halo 2, and those Doom (2016) influences have helped make his dry humour even more awesome. Where things get a bit more mixed is in the supporting cast:
    • The Pilot is a coward trying to flee, but gets caught up with Master Chief and becomes exasperated as he gets dragged into danger again and again. He can be somewhat annoying as a result, but he does grow on you as the game goes, and at least I can understand and sympathize with him.
    • The Weapon, on the other hand… I’m really mixed on her. She’s our new AI companion, who is an incomplete copy of Cortana that was supposed to find Cortana, destroy her, and then delete herself. However, upon Cortana’s deletion, the Weapon finds herself still operational, much to her confusion. Her personality is noticeably different compared to Cortana; the Weapon is much more childlike and inquisitive. While she is fairly well fleshed out as a character and I’m glad they’ve gone to the effort to differentiate her from Cortana, she just ends up being kind of annoying to me. Some of this is down to her dialogue, which can be fairly cringey. She’s also our objective-giver, so after every single objective you complete, she’ll say something along the lines of “oh hey we need to go find ____ to advance the story, lets go do it!” This bothers me, because I can just feel the developers prodding me every time she says something like this (which is a lot). Like… it’s an open world, I’ve got camps to capture and soldiers to rescue, I can see my objective markers, just let me do what I want to.
  • Open World Structure – I am fairly burnt out on open world games, so I was pretty concerned about how Halo Infinite would fare as a result. Luckily, it works out fairly well I’d say, although there are some pretty big caveats to that. One of the most revolutionary aspects of the early Halo games were their massive, open sandboxes, so going fully open-world just feels like an evolution of that concept. I think it’s best summed up this way: playing Halo Infinite is like playing Combat Evolved the way you imagined it in 2001. That said…
    • Big caveat #1: Halo Infinite is basically a carbon copy of the Far Cry open world structure which has become very tired in the past decade. For most of this game’s runtime, you’re just capturing bandit camps and dealing with a bunch of filler side quests which provide very little incentive to complete them, other than checking off some boxes on your mini-map and allowing you to spawn more powerful weapons and vehicles at captured bandit camps. Surprisingly, this didn’t wear thin for me (perhaps because the game has a fairly reasonable playtime), but if you’ve been playing more open world games than I have, then this may be a bigger issue for you.
    • Big caveat #2: Halo Infinite has the worst level design of the entire franchise, bar none. Since 343 Industries cannot curate encounters or force you to complete missions in a certain order, objectives are absolutely swarming with enemies, and your missions are extremely generic: press X buttons to expose power cores that you need to blow up, kill all bad guys in the area, blow up X objectives, etc. This would be unacceptable in any previous Halo game, but for some reason, being open world makes this less of an issue for me, even though in the back of my mind I know I prefer a more curated, creative, and diversified approach. The gunplay in this game is just so good that it props up issues like this which would have sunk a weaker game. I think this is why, as much fun as I was having playing the game, I just didn’t find myself wanting to play it as much as some of the other games in the franchise, and my play sessions end up being shorter and more spread out than for, say, Halo 2 and 3.

Hate

  • Skipping Over the End of Halo 5 is Cowardly – As much as I enjoy this game’s throw-back to classic Halo and its fantastic gunplay, I just cannot get over the fact that it skips over the end of Halo 5 and basically soft-reboots the entire franchise to not have to bother dealing with the consequences of it. For all my problems with Halo 5, the ending was downright bold. Only a handful of humans managed to escape Cortana before she fires EMP bombs at all worlds resisting the AI takeover, blasting them into the stone age. This hinted at a future game that’s scrappier and lower-tech, where we have to scavenge for better weapons and armour, akin to The Terminator. Plus, Halo 5 barely even started to deal with Cortana as our new main villain, so having her die off-screen before Halo Infinite begins is borderline insane and makes this entire extended universe of continuity feel like a joke. Instead, it’s back to the ol’ status quo: Chief fighting the Covenant on a Halo ring. Is that all this franchise will ever be? Because that’s a depressing future if it is…
    • Granted, Infinite does touch on this storyline in its final hours, but it’s done in such a way where it feels like we skipped over an entire game’s worth of plot and consequences… like, imagine if Star Wars went from Attack of the Clones to A New Hope. It would feel kind of weird and disjointed, right? That’s kind of what playing Infinite is like.
  • Load Times – Halo Infinite has some of the longest load times that I’ve seen in a game since the PS3 era. The first time I loaded up the game, it legitimately took at least a minute just to get to the main menu. Thankfully, it loads quicker from there on, but if you’re like me and are playing this game for the campaign, there’s an extra “fuck you” in store: the game always loads into the multiplayer menu, so you have to then select “Campaign” and then go through another lengthy loading screen to play that. Thankfully, once you get in-game, there are basically no more loading screens, but it’s still enough friction up-front that I sometimes didn’t even want to bother starting the game up.
  • The Other Equipment Choices Suck – If there’s one big issue with the grappling hook, it’s that it’s arguably too good… which is actually kind of a problem, because you have other equipment you can use. However, they are so inferior in comparison that they aren’t worth using at all. Like, the first equipment you can switch to is the Threat Sensor, which… highlights nearby enemies. Big fucking whoop. The only time you might want to use this is when an Elite pulls out an energy sword and uses its active camouflage. However, I would literally rather blindly fight an invisible enemy that can one-shot me than go through the convoluted sequence of button presses to switch from the grappling hook to the threat sensor… so that’s exactly what I did. I legitimately never used any piece of equipment other than the grappling hook the entire game, and never felt like I missed out for this.
  • Rough Around the Edges – Halo Infinite is a game that ended up needing to be delayed for a full year in order to get it into a shippable state… and thank God they did, because the game we got is still pretty rough at times, so I can only imagine what it would have been like if it released in 2020! I’m talking some pretty stiff animations, questionable optimization (substantial frame drops are not an uncommon occurrence), random bugs, weird ragdolling (especially when you die), guns turning into unintelligible blobs that stretch infinitely across the game world, etc. Oh, and there’s one mission where you will be told that you need to visit four beacons, which will be marked on your map and everything. However, these beacons do not allow you to progress until after you’re told about the mission, at which point you are expected to walk forward a little bit to actually trigger it. On two separate occasions, I fast travelled away before the mission triggered without even realizing it, and was then left completely confused about why I couldn’t do anything at these beacons. This could be a minor annoyance, but the area you need to go to to trigger the mission is far away from any fast travel point you will have unlocked up to this point, which turns it into a giant, confusing headache which is far too easy to find yourself mired in.
  • Overpowered Weapon/Vehicle Spawns – As you complete objectives in Halo Infinite, you will get “Valor” points which allow you to spawn a chosen weapon or vehicle if your Valor is above a specific threshold. Initially this will allow you to call for an assault rifle or a mongoose ATV, but you quickly start getting the ability to call in upgraded versions of the game’s strongest weapons, or even goddamn Scorpion tanks! It’s cool that they give you the choice, I guess…? But, at a certain point, you have to actively choose not to trivialize the game if you want to have fun. It also robs that feeling of excitement in the tank sections in previous games, as it was no longer this surprise awaiting you, and I just kept finding myself starting every mission with the exact same overpowered guns.
  • Worst Vehicle Physics in the Franchise – You can spawn in any vehicle you want at forward operating bases (FOBs) that you capture. This sounds great, especially since it can take a few minutes to get where you’re going in this open world… however, I usually just hoof it on foot, because the vehicle physics in this game suck, particularly for the warthog and mongoose. Like, they control about as well as ever, but they crash, flip over, and get stuck on the terrain constantly, which I can only assume is due to the open world structure and a lack of polish.

Halo Infinite really surprised me. I had heard that its campaign was decent, but I’m so sick of open world games that I was not expecting much at all. Its gunplay was so immediately fun though that it sucked me in. It may look like there’s a lot of things I hated about this game, but honestly, these are all nitpicks. For literally every single one of these complaints, you can add onto the end “…the gunplay sure is fucking great though”. I had an absolute blast with Halo Inifinite, to the point where open world bullshit and a cowardly plot reset couldn’t even dampen my enthusiasm for the game.

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Love/Hate: Halo 5 – Guardians

Welcome back to the Halo love/hate series! In this entry we’ll be going over Halo 5: Guardians. I’ve been well aware of this game’s reputation long before I played it: stories about the marketing being deceptive, the game being full of repetitive boss fights, being downed constantly in co-op, and a despised story. Honestly though, I didn’t dislike Halo 4 as much as some people, so I’m going into this with an open mind. Maybe it can shake-up the series formula in some interesting ways? Maybe all the shit people sling at 343 Industries is unwarranted? Read on to find out…

Love

  • Meridian – Halo games haven’t really bothered to explore the wider cultures of humanity. That sort of thing is generally relegated to the EU novels. As a result, it was fascinating when the game heads to the human frontier world, Meridian, and we get to see the tension between the UNSC and the colonists. In the Halo universe, the SPARTAN program was developed to crush dissent from separatist colonists. The animosity that the people of Meridian hold towards the SPARTANs is palpable, and the way that the SPARTANs have to be extra polite to avoid pissing them off makes for some legitimate tension. Perhaps the most interesting thing here though is that Meridian’s governor, Sloan, is an AI. This took me by surprise, but it’s kind of brilliant: of course humanity would have AI politicians, it makes so much sense to implement. Making this even more interesting, Sloan is in the early onset of rampancy, making his actions somewhat erratic and making the whole situation even more tense, since he could go off the deep end at any moment.
  • Quality of Life Improvements – In its efforts to modernize the franchise, Halo 5 has some nice quality of life improvements. One that I particularly liked was that you can now swap seats in a vehicle by pressing A instead of having to go through an animation to leave the vehicle and then manually move to find the seat you want. The game also allows you to give simple commands to your squadmates, which they will follow fairly reliably.
  • More Movement Options – In line with Halo 5‘s QoL improvements and modernizations, movement has been overhauled to be much faster and more in-line with the FPS games of the day. You can now grab ledges while jumping, do a charging attack or a ground pound, do a quick rocket thruster dodge, aim in mid-air to float momentarily… oh, and you can just sprint endlessly now too. As you would expect, this shakes-up the series’ core game feel and pace substantially.

Mixed

  • Modernized Controls – When I was playing through Combat Evolved, I kept getting tripped up by its old-school control scheme (R1 to reload and pickup items? L3 to crouch? B to melee? L2 to throw grenade?). FPS control schemes have become so standardized that it’s weird going back to an older game and trying to get acclimated. However… I just played through six Halo games that all retained that control scheme. Going into Halo 5, I was used to that traditional scheme and was completely thrown off when it played exactly like a modern shooter (B to reload/pickup items, L2 to aim down sights, L1 to throw grenade, etc). I didn’t like this at first… but, honestly, this is just me complaining about the game being different. Changing the controls to be more familiar to modern gamers is fine and does not take away from anything. It’s not even like Resident Evil‘s tank controls, where you’re being nostalgic for a fundamentally different way to experience those games: you could remap the controls if you wanted to and it would play the exact same.

Hate

  • Fucking Loot Boxes – This game has paid loot boxes in it. Do I even need to say more than that? That, by itself, should give you an idea of the sort of bullshit you’re going to be subjected to in this game. Strap in, we’re just getting started here…
  • It’s a COD Clone – The back half of the PS3/Xbox 360 era was a graveyard for FPS games trying to emulate the success of Call of Duty. Every franchise was bending over backwards to change or dilute its core tone and gameplay systems in order to appeal to the lowest common denominator COD fan. Here’s the thing though: every one of those games that went all-in on mass appeal failed. By the time that the new console generation was rolling around, this was pretty well known and we were getting far less COD clones. Hell, with the dawn of the PS4 and Xbox One, even COD had outstayed its welcome and was facing some pretty heavy backlash. So, I can only imagine that 343 Industries looked at all these failed COD clones and said “We can do worse”. I could feel the influence of Call of Duty on this franchise since at least Reach, but in Halo 5 it is blatant (even down to the aforementioned modernized controls, which basically just bring the franchise into parity with Call of Duty). Nearly every bit of gameplay that was distinctly “Halo” has been stripped away in favour of appealing to the Call of Duty crowd.
    • The biggest impact of this approach is that the combined arms, open sandbox structure that most Halo games employ (to varying degrees) has been largely eliminated in favour of much more linear shooting galleries. In their place, 343 Industries have instead inserted several bombastic, scripted set-piece action moments that Call of Duty campaigns are famous for. These moments just feel vapid, the sort of noisy light shows that we had largely tired of years earlier. Meanwhile, the linear levels are painfully mediocre, with every level being a series of “kill all enemies in this room to unlock the door, then move onto the next room and do the same, etc”. These moments were always the weak, filler portions of the previous Halo games, so seeing that be the core gameplay loop here is pretty dire. That said, if this was the only problem, then Halo 5 would just be mediocre. However…
  • Co-op Focus Screws the Game Design – Halo games are famous for their campaigns which can be played through entirely in co-op. I actually was unaware that you could play up to four-player co-op in these games as early as Halo 3, but you honestly would never realize it: the campaign was clearly designed for single-player and is balanced as such. Halo 5, on the other hand, is designed from the ground up with four players in mind, which means that things have changed quite a bit…
    • Pity Halo 5‘s level design: not only is it getting fucked for being a COD clone, but then the four player co-op comes in to fuck it from an entirely different angle. To accommodate entertaining four people at once, combat encounters are far less focused. Each area feels like a miniature multiplayer arena, where you start the encounter by picking a lane and then clear out all the enemies there until everyone has cleared out their zone. You end up getting swarmed by enemy forces from all angles, including occasions where you have enemies spawning behind you. The game ended up reminding me way too much of Operation Raccoon City, although the core gunplay was good enough that it’s not quite that bad at least.
    • Since you can be revived now, Halo 5 is simultaneously more forgiving and more punishing than other Halo games. Sure, you can get revived by your partners if you play sloppily, but you also get a lot more overpowered enemy attacks that will either one-shot you (such as the Eternal Warden’s melee attack), or which have splash damage which is difficult to negate (such as incineration cannons, the Hunter fuel rod cannon, etc). Naturally, you are going to hear “I’m down, need assistance!” a lot.
  • The Story – Halo 4‘s story was a mess, but at least it had a solid emotional core that you could latch onto. Halo 5 ditches much of the sci-fi gobbledygook that plagued its predecessor, but it’s no less confusing for it…
    • First of all, the narrative is poorly conveyed. The actual plot here is pretty simple: Cortana is back and evil now, Master Chief goes AWOL to try to find her, SPARTAN Locke is tasked with apprehending Master Chief, and they all get caught up in Cortana’s plot to resurrect the Guardians – giant Forerunner robots which were used to enforce order in the galaxy. Good luck keeping track of what’s going on though, because Halo 5 just assumes you already know what’s happening at any given time. Like… to give you an idea of how bad the storytelling in this game is, the game just suddenly assumes that Cortana is evil before we actually have any reason to believe that to be the case. You’re just expected to go along with it, but that’s a massive change that needs some time to breathe. Or how about the Guardians: they’re supposed to be the big threat that the game revolves around, but we never really get a sense of what they do or why they’re so scary. Again, the game just assumes that you already know what’s going on.
    • Then there’s the inciting incident which puts this entire plot into motion: Master Chief gets knocked out, hallucinates about Cortana, who gives him some mysterious directives, and then he just decides to do what she told him to (to the point of disobeying his superiors to do so). Like… what the fuck? I get that Halo 3 and 4 had weird hallucinations with Cortana, but they never really came across like they were “real”. This here in Halo 5? It’s full-on space magic, I don’t know how else they can really justify it.
    • Maybe the worst part about this story though is what it does to the Master Chief. He spends this entire game chasing after Cortana instead of dealing with the existential threat of the Guardians… in fact, by chasing after Cortana, he’s actually kind of complicit in everything that happens. You could argue that he was pursuing Cortana, because she was the source of the threat and he needed to eliminate her to stop the Guardians… but that never happens. He encounters her and then they have a chat instead of trying to eliminate the problem. It’s also not like this is the Cortana we knew before; she is clearly an entirely different person now, so it should be easier for him to do what’s needed. Is… is this what 343 Industries were trying to convey from the whole “you’re not a machine” theme in Halo 4? Are they saying that he needed to be way more selfish and damn the rest of humanity for his own interests? Guys… are these tech bros a bunch of libertarians…? Fucking insanity.
  • The Characters – Related to all the previous issues we’ve already discussed, the characters in Halo 5 suck. Theoretically, it’s kind of cool that 343 Industries brought Master Chief’s squad mates from the Halo novels into the games. Having ODST‘s Buck become a SPARTAN is also a pretty cool move. However, none of this ends up mattering, because none of them have any development, interactions, or characterization beyond “is a soldier”. Even Arbiter’s return isn’t particularly interesting, because he basically does nothing (although I do find it hilarious that they make a point of telling us that he’s a feminist, because he breaks Elite tradition and allows females into his ranks, LOL).
    • The Eternal Warden is, apparently, supposed to be this game’s main “bad guy”. He’s a Promethean construct who occasionally shows up to oppose you. You end up having to kill the guy like seven or eight times across the course of the game and it becomes tiring very quickly. I also don’t get his part in the story at all. He’s like a rival to Cortana, but she slaps him around like a bitch at every turn. When she vanquishes him at the end, you’d think it would be a big “oh shit, she just killed the powerful bad guy!” moment, but I didn’t feel anything. Dude sucks.
    • Also, probably goes without saying, but having multiple SPARTANs in your story is lame. Master Chief’s cool, largely because he’s the only man capable of saving the day. When you have an entire squad of SPARTANs, it dilutes that importance and your squad doesn’t feel exponentially more powerful than you did when you were solo.
  • Technical Issues – Okay, we’ve gotten through the big problems, now onto some smaller fish… This game has some really weird technical issues, the most obvious of which is that enemies will render at a lower frame rate if they’re more than a few meters away and you’re not looking directly at them. I can only assume that this was implemented to keep the game running smoothly and to deal with optimization issues (it reminds me of similar issues in Pokémon Violet). However, this game doesn’t look that good, so I assume that it’s probably a combination of having to accommodate four players and general development incompetence. Oh, and speaking of incompetence, the NPC AI is worthless. You can give commands, sure, but your squad mates will struggle to kill anything, and their pathfinding makes having AI operate vehicles an exercise in frustration. I saw my squad mates get themselves killed constantly, including one particularly funny moment where we had to escape a massive Covenant vehicle. I escaped in a Banshee, only to turn around and see that my squad was still fucking around inside before the whole thing blew up and took them all with it.
  • Interactive Cutscene “Missions” – Halo 5 has three “missions” which can only really be described as interactive cutscenes. In these sequences, you and your companions are tasked with finding an NPC, talking to them, and then finding another NPC and talking to them. These sequences legitimately last anywhere from thirty seconds to two minutes at most, and make absolutely no sense to me. They even count as full-on missions for the achievements! I’d get it if all cutscenes in the game were done this way, but no, the game has plenty of cinematics, so I honestly do not understand what the hell they were doing with these things.

Halo 5: Guardians was a fucking experience. Moments after the game started, I just sat there and went “Oh. Oh no.” Taken on its own, Halo 5 is a mediocre-at-best co-op shooter with a weak narrative. In the context of this franchise though, Halo 5 is straight-up insulting. As you can see from all the “Hates” listed here, the game was fundamentally compromised on a design level and these issues cascaded to make by far the worst game in the entire franchise. Halo 5 gleefully packs so much of the stuff I hate about the past decade of gaming into its runtime, shedding everything you might have liked about Halo in the process. Oh, and making matters even more annoying for me, in particular: I just made a list of my 25 Worst Video Games of All-Time, and it’s already outdated. Halo 5: Guardians definitely deserves a spot on that list. Is this a bad time to announce that I’m intending to update my best/worst-of lists in about five years time to see how much they’ve changed in that time? Because, unless I play a lot of shit games between then and now, Halo 5: Guardians is sure as hell gonna be on there.

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Love/Hate: Halo 4

Welcome back to the Halo love/hate series! In this entry we’ll be going over Halo 4, the first new entry in the series by 343 Industries! I’ve heard really mixed things about this game over the years. On launch, it was lauded, but with the disappointment surrounding subsequent entries, it has retroactively been considered to be shit by Halo fans. Then again, ODST and Reach are loved by Halo fans, and I found them to be fairly disappointing, so maybe the disdain for this game is just complaints about it being different? Now that I’ve finally gotten the chance to play it, read on to find out what I thought…

Love

  • Graphics and Presentation – If there’s one area 343 Industries have undeniably improved over the previous Halo games, it’s the graphics and presentation. The CGI cutscenes are almost film-quality and the in-game cutscenes are more cinematic than ever. The graphics are also really good for an Xbox 360 game, to the point where I had to triple check that this wasn’t an Xbox One launch game. This game also makes you feel more like you’re seeing the world through the Master Chief’s eyes by having bits of helmet on the fringes of the screen and HUD projected onto his visor. I initially thought that this was going to be distracting when I started the game, but it ends up being really immersive and I stopped noticing it almost immediately.
    • Okay… I say “undeniably”, but this is also, apparently, a pretty controversial opinion. Turns out that people complain that the environments don’t look good and that there’s the early-2010s desaturated filter applied to everything – I did not notice this even once and I can only assume that this is just a symptom of the “343 can do nothing right!” complaints.
  • Improved Driving Controls – The driving controls have been refined once again, making vehicle-based gameplay more enjoyable. This is especially true for the Ghost, which is just buttery smooth to drive now.
  • New Weapons – As usual, Halo 4 introduces several new weapons to try out. Some are certainly better than others, but I particularly love the Binary Rifle, it feels so good to snipe people with it. I also quite enjoyed the Rail Gun for similar reasons, and the Storm Rifle is a cool upgrade to the Plasma Rifle.
  • Cortana – Jen Taylor is absolutely acting her ass off in Halo 4. Cortana has always been the best character in the previous games, but she’s especially relevant here. The entire emotional core of the game revolves around getting you to care about (and then be worried for) Cortana as she slowly succumbs to Rampancy (a condition in the Halo universe that causes AIs to “die” after around seven years as they become too complex to sustain themselves). Does she feel somewhat different compared to the previous games? Yes, but she’s also reckoning with her impending, inevitable death, and is realizing that she has so much that she still wants to live for. When Cortana’s facing down her mortality and says “They’ll pair you with another AI. Maybe even another Cortana model if Halsey lets them. It won’t be me… you know that right?”, Jen’s performance broke my fucking heart.
    • Also: call me a gooner if you want, but I actually quite like the redesign Cortana received in this game. It’s not very faithful to her design from the first couple games, and she’s been sexualized in a blatant attempt to try to get you to fall in love with her… but I’d be lying if I said it was not appealing. Hell, one could even argue that, as Cortana has come to develop a legitimate love for the Master Chief, she’s intentionally choosing this design to deepen their relationship to one another.
    • On that note, a bit of a side-tangent: I think my favourite Cortana design is from Halo 3. After that, I think I’d have to go with Combat Evolved‘s more sassy, punk-looking version of the character, just because of how different it is from the rest of the series. I guess that means that Halo 2‘s design’s my least favourite; it just feels like a half-measure on the way to the Halo 3 design.

Mixed

  • Prometheans – The new enemy type, the Prometheans, are decent. They may have been introduced a bit too early though: the Flood weren’t introduced until the sixth mission in Combat Evolved, which allowed them to shake-up the gameplay significantly, whereas the Prometheans show up at the end of the third level in Halo 4. The other issue with them is that they aren’t nearly as differentiated in their roles as The Covenant are. Each Covenant unit is very distinct and needs to be approached in a particular way. In comparison, the Crawlers and Watchers aren’t particularly different to fight – they’re both very weak and mobile, with the Watchers occasionally spawning in new enemies and flying away when shot. The Knights are the most differentiated and threatening. Some people really hate them for how they can teleport away from danger. This can be annoying, but I didn’t have too much trouble with this during my playthrough and typically killed them before they could escape. Maybe they’re worse on legendary difficulty, but I can’t really speak to that myself. All-in-all, the Prometheans are fine – I don’t enjoy fighting them as much as I do the Covenant, but they’re still passable FPS enemies.

Hate

  • The Covenant – Imagine being there for Halo 4‘s release and speculating about where the story would go next. Humanity won the war against the Covenant. The Prophets were dead, the capital city of the empire was destroyed by the Flood, and the Elites were now an independent faction. Sure, there’d probably still be some remnants of the Covenant continuing to fight, but surely we’d be facing off against some other threat, right? Well… minutes into Halo 4, you fight the Covenant as if literally nothing ever happened. They’re even led by Elites again! It’s just so underwhelming to see them dive back into the ol’ status quo for several reasons:
    • For one thing, Master Chief says that these Covenant seem “more fanatical”, but that does not come across in the slightest. The Covenant we had faced in the Bungie games would literally send suicide bombers at you, I daresay that these ones seem less fanatical in comparison. Like… they couldn’t do something to differentiate them? Even Halo 2‘s Arbiter missions had heretical Covenant who were clearly distinct from the rest of their kin. You’d think that they could make them stand out like that? Or, hell, since their empire is now shattered, maybe their weapons and gear are more ramshackle, or they have less access to heavy weaponry? Literally fucking anything but more of the same…?
    • They also redesigned the Covenant in this game, and I kind of hate what they’ve done to them. Elites have been bulked up massively, but the Grunts and Jackals especially just look wrong to me, ditching their previous designs in favour of something more reptilian. It makes them look less like a conglomerate of unique, unified species and more like a bunch of lightly-differentiated, scaly, alien bad guys.
    • Also, I don’t think the game ever explains why these Covenant are fighting us? This could be entirely on me missing some line of dialogue, but they just show up on your drifting spaceship and attack you out of nowhere. It’s not like they were even trying to link up with the Prometheans, because they start slaughtering the Covenant when they first encounter them, only to turn them to their side moments later. Again, maybe I just missed something that explained this, or didn’t read some novel about this faction, but that kinda leads into my next problem with this game…
  • The Story – Halo 4 has a different tone compared to its predecessors. Combat Evolved and 2 were written like grand, sci-fi military novels. 3 was written like an a blockbuster action movie. In comparison, 4 is written to be this blockbuster, sci-fi space opera. It has a much more melodramatic tone, is more focused on the emotional drama between the characters, and has way more focus on the lore of this universe. This is different, which is not necessarily bad. In fact, I rather like that 343 Industries are trying to put their own spin on Halo: Lord knows that these games’ stories weren’t so good that they couldn’t do with some narrative experimentation. However, the way that they’ve gone about this made Halo 4‘s story more frustrating than enthralling for me…
    • Put simply, the biggest issue with this game is that way too much of the dialogue boils down to Cortana throwing around lots of sci-fi mumbo-jumbo. Rampancy, Requiem, Infinity, Terminus, the Didact, the Librarian, the Mantle, the Composer… you might get a context clue or a single line of dialogue to explain what these things are, and then you’re expected to keep track of that for the rest of the game, or until the game bothers give you another context clue several hours later. I remember Rampancy from the Halo novels, so at least I understood that part, the Didact is the bad guy, and I eventually figured out that Requiem is the new Forerunner installation we spend most of the game on, but so much of this game’s narrative is utter nonsense if you cannot keep all these terms straight. Hell, even when we find out what things are, I still couldn’t tell you what these things even do. Like, Halo is simple: it’s a location to contain the Flood and, when it fires, it will kill all sentient life. Requiem, on the other hand, is… a prison for the Didact, maybe? I literally do not know why it exists or what the fuck is happening in this game. The Composer is probably the most egregious example of this. I guess it genocides people and then… digitizes them into Prometheans or something? How many people did it kill at the end of the game? Hell if I know.
    • I’ve heard people accuse 343 Industries of being a studio that makes Halo games, but hates Halo. I really don’t get that impression after playing Halo 4. The way that they’ve written this game, it screams passion for this universe. However, the way it has been written puts emphasis squarely on “the lore”. The world-building and lore were important to the success of the earlier games, but they were not the most important thing, whereas here it feels disproportionate to your enjoyment of the game. If you are obsessed with the lore, read the dozens of novels, and can actually follow all the gobbledygook they throw at you, you might have a really rich experience. If not… man, you are in for a rough time. Halo 4 just feels like an example of “fans do not know what they actually need”: a lot of the time, it’s retreading Halo‘s greatest hits, while obsessing about the finer details that only the biggest Halo nerds would get excited about. As a result of all this stuff, playing through Halo 4 feels like you’re reading through a fucking Fandom wiki.
    • Also, this probably seems contradictory to my last point, but this game makes some pretty major retcons to the Halo lore. In particular, the Bungie games had heavily implied that the Forerunners were humans (or human-related). 343 Industries have instead elected to make the Forerunners a completely separate species who were at war with humanity at one point. They destroyed human society and bombed us back to the stone age. Then, when they annihilated themselves to contain the Flood, they seeded knowledge into the human genome to eventually create the SPARTAN program and take over the galaxy… which is just fucking insanity, holy shit. It can be easy to miss or gloss over this stuff because of how nonsensical the narrative is, but when you piece it all together, it’s pretty baffling and an awful change to the series’ lore. Like… I still think that 343 Industries are passionate about Halo… like any fandom though, they have a particular way of viewing that lore, which they’ve expanded and pushed in their preferred direction, and that’s rubbed fans who have their own interpretations the wrong way.
    • On a completely different note, the game’s writing is ham-fisted beyond belief. At one point, Cortana says to Master Chief “Before this is over, promise me you’ll figure out which one of us is the machine.” This is a pretty cool line, but it just comes out of nowhere. There’s never been any concern between them about the Chief being too machine-like; it just feels like it was written for the trailers. Then, at the ending, one of the characters awkwardly mentions that soldiers aren’t machines, which was already making me roll my eyes for how unsubtle it was, but then Master fucking Chief himself goes “She said that to me once. About being a machine…” I slapped my fucking head in frustration. WE GET IT, your theme isn’t nearly as clever as you seem to think it is.
    • Oh, and then there’s the grating melodrama. The most egregious example of this is Captain Del Rio. Why is this guy such a fucking dick to Master Chief every time we see him? He’s being confrontational and screaming at the dude who literally won the war for him only five years earlier. It’s a cheap way to add some stakes, but it just comes across as dumb and lazy, especially since most Halo characters to this point have acted professionally and intelligently at all times (except for you, ODST…).
    • All that said: the game does start getting good in the last couple levels. When the third act kicks off, they’ve finished introducing new gobbledygook, so we’re able to focus on the actual important shit: Cortana, Master Chief, and the existential threats they’re facing. I might even be open to the argument that Halo 4 has the strongest finale of any Halo game, because a solid emotional core and strong characters trump all the lore in the world. And this is despite me having no fucking clue what is even happening for most of this finale: it doesn’t matter that I have no idea how Cortana somehow magically saved Chief from nuking himself, because I can understand the emotional stakes between these characters, which are far more interesting than anything else in the game.
  • Sound Design – I’m not really someone who notices or properly appreciates the sound design in a game. Take that how you will, but that tells me when I do notice it that they’re either doing something amazing, or they’re doing something really bad. I had a few issues with the sound design in this game, but many of the guns in particular just sound wrong. There’s also this weird difference between a gun’s sound when you’re using a scope vs hip firing it… like, are you sticking your fucking head into the scope? Why does the Lightrifle sound so weird in ADS, but normal in hip fire?
    • That said, I will give them credit for the good ol’ shotgun though: that thing sounds explosive when it fires.

Halo 4 was… fine. I didn’t dislike it nearly as much as some people did, but it certainly didn’t deserve the high 8s and 9s it got from reviewers on launch either. I honestly think that most of the distaste for the game is a combination of retroactive sour grapes after being disappointed by 343 Industries in latter entries, and for being different from the Bungie games. It’s fine, which isn’t exactly a glowing endorsement, but it’s better than some people give it credit for.

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Love/Hate: Halo – Reach

Welcome back to the Halo love/hate series! In this entry we’ll be going over the final Bungie-developed Halo game, Halo: Reach! Going in, this was probably the Halo game I knew the least about, but I had always heard that it was a solid swan-song for the Bungie games. How does the game hold up today? Read on to find out…

Love

  • Customizable Avatar – Perhaps the coolest feature of Halo: Reach was one that I didn’t realize until I was most of the way through the game. It turns out that Noble Six, the SPARTAN you play as, is customizable and based on your multiplayer avatar. I set that avatar months before I actually got around to playing the game, so I had no idea until very late in the game that my character was personalized, but it’s such a cool feature and a great way to pay tribute to the fans.
  • Perks – The equipment system from Halo 3 has been reworked in Reach and, in my opinion, it’s much more impactful now. The equipment pickups are now replaced with Call of Duty-style perks which operate on a quick cooldown and can be swapped out if you find a perk pickup in-game. There’s some pretty cool options, like the armour lock and jet pack, but (perhaps most notably) these perks finally bring sprinting to Halo (albeit, on a pathetically-short time limit, but at least it speeds up traversal a bit).
  • Long Night of Solace – This is the first level where Reach really stands out from its predecessors. A very big chunk of this level has you piloting a space ship and getting into full-on dogfights with Banshees and Phantoms before flying into a Covenant supercarrier and battling your way through the interior. It’s a level that is epic in scope and execution. While I can see some people getting annoyed with this level, since the flying combat isn’t as good as dedicated flight game and it can drag on a bit long, but it’s such an ambitious and epic level that I have to give it major props.
  • Lone Wolf – Speaking of memorable levels, the finale of Reach is really memorable. You’re given minimal information about what to do (Current Objective: Survive) and then get swarmed by Covenant. Eventually, you’ll come to realize that there is no happy ending, all you can do is take down as many Covenant with you as you can. There’s nothing stopping you from just chucking a grenade at your feet and ending it immediately, but it’s got that Call of Duty Zombies compulsion that makes you want to hop right back in and see if you can make it further next time.
  • Exploding Grunts – A pretty small, but funny change is that Grunts’ backpacks can explode, sending them flying wildly when they die. I love the Grunts for being a bunch of cowardly goobers, and this cartoonish death just makes them even more endearing.

Mixed

  • Elites Are Back – Look, I know I’ve ragged on the last couple games for being less fun because the Elites were replaced by the less-intelligent Brutes, so I should be happy that the Elites are back here. However, if you put a gun to my head and asked me if I thought that their return was a noticeable upgrade, I honestly don’t think it’s made much of a difference. Hell, even the Brutes don’t feel much like Brutes in this game, they’re just Elites with a different character model. I am not sure why exactly these enemies do not have that spark that made them stand out in the first couple games, but I think it comes down to changes in the enemy AI. Enemies and allies felt like they had personality and intelligence before, but I never really got that sense here.
  • New and Rebalanced Weapons – Reach has quite a few new weapons and has rebalanced a lot of the old weapons, although I’m pretty mixed on both of these aspects.
    • In terms of the new weapons, my favourite is the Plasma Repeater, which is just a straight upgrade on the old Plasma Rifle. The grenade launcher is also pretty cool, although it’s kind of surprising that it took this long for one to get introduced. However, other new weapons, like the Concussion Rifle, Needler Rifle, and Focus Rifle kinda suck. Every time I ran out of ammo and had to pick up one of these weapons, I made a stink face and then ditched them as soon as I could.
    • For the rebalanced weapons, the magnum is awesome again, one-shotting most unshielded enemies with a headshot. The needler is also legitimately good here. In every game thus far, I would try it out just to see how it was, but this was the first time where I would actively seek it out. Unfortunately, the plasma sword is kind of shit once again, especially compared to the brute hammer (which has also been nerfed).
  • Noble Team – Your squad of SPARTANs in this game, Noble Team are… alright. They have significantly more interesting personalities than the goofball soldiers from ODST, but they don’t have any sort of development over the course of the story. They’re introduced with an archetypal character trait, and then that defines them for the rest of the game. Consequently, I didn’t really care all that much when they start dying, because there’s nothing really to latch onto.
  • Story Structure – The fall of Reach is supposed to be this massive defeat for humanity, where one of our greatest strongholds was crushed by the Covenant as they scour the entire surface of the world from orbit. Unfortunately, Reach rarely lives up to this promise, as the game doesn’t feel all that desperate. This is especially true in the first half of the game, where you’re basically just killing time fighting random Covenant patrols. It feels less like a world-ending tragedy, and more like a bunch of SPARTANs getting themselves killed unnecessarily like a bunch of dummies. It’s not until the last couple missions that it finally feels like there are some stakes, but even then it’s not that effective. Hell, I completed the last mission, then the credits started rolling and I literally said “Wait, that’s it?” Sure, it’s followed up by “Lone Wolf” as the epilogue, but I legitimately thought I had a couple more levels of content to go, because the ending felt like an anti-climax.

Hate

  • The AI – As I alluded to earlier, the AI in Reach is pretty poor by Halo standards, especially for your allies. That’s a particular problem in this game, since you almost always have a fellow SPARTAN with you instead of some random marine, so it feels even more egregious when they get themselves stuck somewhere and then have to be conspicuously teleported in front of you to keep up. Vehicle pathfinding is a bit better than it was in ODST, but I had one moment in the final level where the AI was driving a mongoose and then they said “We have to jump it!” over a broken bridge… before proceeding to gingerly drive over the ledge. I got lucky and avoided dying because I got caught on the scenery, but it was a pretty embarrassing moment (especially because my AI companion was stuck at the bottom of a canyon, making their forced teleport later even more noticeable).
  • No Dual-Wielding – A big reason why the weapons have been rebalanced again in Reach is because Bungie removed the option to dual-wield. This has clearly been done for balancing reasons (you can just make the weapon good, instead of having to make it only good when dual-wielded)… but fuck that. I’m only really analyzing these games on their single-player, so let me have my power fantasy. Dual-wielding in Halo 2 and plowing through a horde of grunts was one of the biggest power trips of my life. I kind of hate this competitive multiplayer mentality some developers have with their shooters, just let players have fun.

Honestly, I was pretty disappointed by Halo: Reach. Ever since this game came out, I figured it would be the definitive Halo game; Bungie’s last, big hurrah before the franchise went to 343. While I did enjoy it more than ODST, it’s missing that special spark that made Halo 2 and 3 so much fun to play through. The industry had changed fairly substantially in the decade between Combat Evolved and Reach, and I can’t help but feel like the growing dominance of Call of Duty, and competitive multiplayer in general, influenced the changes in this entry. Maybe it’s better on the multiplayer side of things, but as far as the campaigns go, Reach was a pretty big disappointment for me, even if the game itself is not bad.

Anyway, onto the 343 Industries games, I’m sure those will be much better…

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Love/Hate: Halo 3 – ODST

Welcome back to the Halo love/hate series! In this entry we’ll be going over our first spin-off title, Halo 3: ODST! This was a weird little release: the series’ overarching narrative seemed to have concluded, so there was a lot of questions about how Halo would be able to continue. Bungie then announced this game, which had started out as an expansion to Halo 3, but would evolve into its own stand-alone experience. The resulting game is pretty interesting for a number of reasons, not least of all because it’s the first game to not feature Master Chief in any capacity. Would the game hold up without the franchise’s hero? Read on to find out…

Love

  • Experimentation – Halo 3: ODST shakes up the franchise’s normal campaign structure in some pretty fundamental ways, which make the game feel very unique among Halo titles. The campaign is split into two timelines. The A-plot is the present, where you play as “the Rookie”, who has become isolated from his squad and is trying to figure out what happened to them as he makes his way across New Mombasa. The B-plot involves a bunch of flashbacks to the Rookie’s various squadmates as they battle Covenant forces. The B-plot plays out through traditional Halo levels, but the Rookie’s sections occur through a semi-open world as you navigate through the isolated streets of New Mombasa. In these sections, you have to decide how to reach objectives while confronting or avoiding any Covenant patrols you may come across. It’s a fairly unique structure for a Halo game, let alone a stand-alone DLC expansion, and I have to appreciate that they at least tried to do something different here.
  • The Opening Drop is Intense – You name a game ODST (which stands for “orbital drop shock trooper”), and you’d better believe I expect to get dropped from orbit at some point. In that regard, ODST does not disappoint. It opens with some quick character introductions, and then it’s feet-first into hell through a visually-spectacular and chaotic opening that is easily the highlight of the game.

Mixed

  • VISR System – ODST introduces the VISR optical HUD, which has some fairly interesting functionality. It plays similarly to Ghost Recon Advanced Warfighter, outlining objects in the world and highlighting friendlies and enemies. With the larger, more open environments, it can be very helpful to have a way to point out where to go next. However, I can’t help but feel like it is a bit of a crutch, like detective vision in so many games of this era: the environments do not clearly communicate where you need to go, so instead the game relies on waypoints and colour-coded highlights to do that for you. It also doesn’t help that the game often makes VISR basically unusable, since it becomes a visual hinderance in bright areas, forcing you to toggle it on and off regularly.

Hate

  • The Writing and Characters – For all its military realism, Halo has some pretty cartoonish characters between Master Chief’s confident badassery and Sergeant Johnson’s cigar-chomping antics. However, they’re also contrasted against more serious characters, like Jacob and Miranda Keyes, Lord Hood, the Arbiter, or even Cortana to a certain degree. However, ODST is clearly inspired by Joss Whedon’s writing style on Firefly, even down to casting Nathan Fillion, Adam Baldwin, and Alan Tudyk in the lead roles. As a result of this influence, the entire cast are a bunch of cartoonish jokers who can’t take anything seriously or professionally (which gets especially egregious when Nathan Fillion and Tricia Helfer are arguing about relationship drama over comms in the middle of a warzone).
    • On top of this, ODST is framed like there’s a big mystery that you’re building towards, but the story itself is really uncompelling. The flashback sequences don’t really move the story forward at all, they just kind of exist to pad the runtime. It’s not until the last level that the story actually has some interesting developments, but by that point it is way too late to salvage this narrative. Let’s put it this way: the first three Halo games were about telling a story. This game is just fleshing out the series’ lore.
  • The Level Design – While I will give ODST credit for trying something different with its structure, I really hate the move away from a more curated, linear level design. The streets of New Mombasa are huge and weirdly empty. It’s not unusual to spend a long time wandering around without even running into a Covenant patrol. I can see how this might be immersive to some players, but for my part, I found this incredibly dull. I’ve complained before about open world design and how it makes the minute-to-minute gameplay boring, so you can imagine how annoying ODST‘s slow, monotonous traversal gets for me.
  • Health Regeneration System – ODST goes back to Combat Evolved‘s health system, where you have a regenerating shield and a health bar to maintain. However, one key difference is that the game will freak out at you long before your shield has actually gone down. This puts you in a stressed state way more often than previous Halo games. However, when you come to realize that the game is being over-zealous with its shield warnings, you kind of just ignore them and push more aggressively, making this new warning system kind of worthless. It also doesn’t help that health stations are really badly sign-posted, so you can go for long stretches of gameplay without a chance to heal while playing as the Rookie.
  • The AI – Unfortunately, ODST is the first Halo game where the AI feels straight-up dumb:
    • First of all, the friendly AI are incredibly stupid, especially when they’re in vehicles. Their pathfinding is awful, often getting stuck on objects or charging at a tank and then getting you blown up with no real opportunity to prevent this from happening. On more than one occasion, I had a story-important squad mate get stuck and then (very obviously) have to be teleported ahead of me to prevent them from getting left behind.
    • Perhaps worst of all though is the enemy AI. In ODST, you’re not playing as Master Chief, so you should feel out-gunned by Covenant forces. The game certainly throws overwhelming numbers of Covenant at you, but the game feels like it has gimped them compared to previous Halo games. Throughout this game, I felt like I was making reckless plays which would have gotten me killed in any previous Halo game, but I was getting through because enemies would just refuse to shoot me, or have terrible aim. Making matters worse, I was being forced to make these reckless plays, because I just wasn’t being given the resources needed to deal with all these enemies. I dunno who thought it made sense to have me fight two Wraith tanks and two squads of Covenant forces at the same time with just anti-infantry weapons, but the fact that I was able to pull through this with little difficulty is kind of ridiculous.

Halo 3: ODST left me thoroughly underwhelmed. I wasn’t really sure what to expect going in, but I really dislike all the ways that this game attempted to shake-up the Halo formula. I appreciate the attempt to differentiate this game, and I’m sure that there are people who love what they were going for here, but nothing they’ve tried here makes Halo more fun to play for me. As annoying as Combat Evolved could be, I still enjoyed myself there more than I did here.

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Love/Hate: Halo 3

Welcome back to the Halo love/hate series! In this entry we’ll be going over the series’ third entry, Halo 3! We’re now past the point where I had any first-hand experience with these games: I remember this game being an absolute blockbuster at the time, and it was the #1 shooter in the world for a few years until Call of Duty 4: Modern Warfare took over the genre, but I never got to play it. Could it resolve Halo 2‘s cliffhanger in a satisfying way? Read on to find out…

Love

  • New Weapons – As usual, a new Halo game means new weapons, and they’ve introduced some really cool ones here:
    • Best of all is the brute hammer. This thing is ridiculously satisfying to use. It’s devastating, one-shots pretty much everything, has a large area of effect blast when it hits (which will kill multiple clustered enemies), sends debris flying on impact, and makes a really loud noise. It’s the quintessential distillation of the brutes as a species, and it’s fantastic.
    • The spiker and mauler are both really cool options. The spiker is kind of like an SMG version of the needler, it’s really reliable and enjoyable to use. The mauler, meanwhile, is a shotgun pistol. Both of these guns are dual-wieldable, which just makes them even more fun to use.
    • The Spartan laser is also a really cool power weapon that puts out a devastating amount of damage. However, it remains fairly balanced due to its long charge time before it fires, meaning that you have to keep the target in your sights or waste the shot.
    • Oh, and the game now lets you pickup gun turrets from around the environment and use them as power weapons! It’s as badass as it sounds to pick up a heavy machine gun or a plasma cannon and then spend the next minute mowing down everything in sight.
  • Weapon Rebalancing – Halo 2 suffered a bit due to its wildly unbalanced weapons. You could maybe argue that this was intentional, but Halo 3 is clearly trying to make every weapon viable. There aren’t really any weapons here that I wouldn’t want to pickup. Most of the weak guns from Halo 2 have been improved massively: the assault rifle is back and actually useable, the shotgun is worthwhile again (although it’s still nowhere near as good as it was in Combat Evolved), the plasma rifle is far better against non-shielded enemies, the Brute shot is significantly better… really, the only weapon that has clearly been nerfed to oblivion is the energy sword. The lunge distance has been made extremely short, and while it does one-shot most enemies, I’ve had instances where I’ve had to hit a Flood combat form five times to get a kill on normal difficulty… HOW???
  • Epic, Free-Form Combat Scenarios – Gone are almost all the corridor shooting levels from previous Halo games: Halo 3 loves to revel in the large combat arenas where you fight alongside allies and use various vehicles to combat hordes of enemies. Probably the biggest highlight is driving a mongoose ATV while your allies blast rockets at enemy vehicles… and then a scarab walker shows up and you need to disable it, jump on board, and then blow it up from the inside. Combat is straight-up epic in this game!

Mixed

  • Equipment Pickups – Halo 3 introduces several equipment pickups, which operate similarly to the temporary armour upgrades you could find in the previous two games (bubble shield, deployable cover, auto-turret, invisibility, invincibility, flashbang, etc). The big differences are that they are way more common and you get to choose when to use them. They’re… alright. They certainly work, but they do not feel all that important to the combat flow (at least on normal difficulty: I can see bubble shields and deployable cover being way more impactful on legendary). A lot of these equipment pickups are stationary once used, which isn’t really something you want to be doing in Halo most of the time. It’s also really hard to see them; I kept accidentally picking them up by walking over them… I could count the number of times I intentionally grabbed an equipment pickup on one hand and still have fingers to spare for your mom.

Hate

  • The Story – Halo 3 is a suitably epic finale for a story about a galactic war and genocidal alien parasite. However, as it goes on, I can’t help but have several nagging issues about it which sour it somewhat:
    • First of all, the grand, sci-fi world-building of Combat Evolved and Halo 2 is pretty much gone. We learn nothing new about the Covenant society (which, if you’ll recall, had its entire freaking capital city genocided by the Flood in Halo 2). Basically nothing new is learned or introduced here, it’s just culminating the events of the last two games. Aside from a couple big deaths, there’s no risks taken. That’s fine, I guess, but it’s disappointing after the thoughtful writing and big revelations brought in by Halo 2.
    • On a related note, the war just kind of… ends. The prophets are dead, but you’re telling me that there’s no Covenant still choosing to fight? The Brutes sure as hell seemed to want to fight this war, they’re not taking over and continuing the fight? There’s no new power structure forming? Oh, and the game acts like the Flood have been defeated, but that was just one Gravemind… given that we know there are multiple Halo rings still out there, that presumably means that there are several installations which still have Flood on them, right?
    • I get that Cortana’s out of the picture for most of the game due to the events of Halo 2, but you can really feel her absence (and, when she comes back, it’s a breath of fresh air). Definitely makes you appreciate her character more, but the entire narrative suffers without her.
    • I also found it pretty disappointing that the last couple levels are basically just rehashing the ending of Combat Evolved, to lesser effect, in my opinion.
    • Finally, Arbiter’s just kind of “here”. People complained about him in Halo 2, so Bungie folded and he’s no longer playable outside of co-op. He’s still gets a couple story moments, but his character development is stunted and we miss out on a lot of the developments that would be happening on the Covenant side of things (like that the Elites are now working with humanity against the Covenant).
  • Flashbangs – So, something I neglected to mention about equipment: enemies get to use them as well. This is not that big a deal most of the time, but where it becomes infuriating is that one of the pickups is a flashbang. It’s worthless when you use it, but when Brutes start chucking them around, they’re infuriating. There’s a reason most first person shooters do give NPCs flashbangs, it basically makes the game unplayable when they’re used. Thankfully, these were only used on a handful of occasions during my playthrough, but there was one section early in the game where Brutes were just spamming them at me and it drove me nuts. Oh, and speaking of which…
  • Brutes – Brutes just are not that fun to fight compared to Elites. At least in Halo 2, you only start fighting Brutes halfway through, but here they’re the main enemy for a good chunk of the game. Since they don’t have shields, this breaks the strategic weapon choices from the previous two games, since plasma is less-necessary. They’re also a lot less intelligent, so the enemy AI is not nearly as interesting as it was previously.

Halo 3 is solid, but I can’t help but feel disappointed with it compared to Halo 2. While it is a fitting conclusion for the trilogy, the world just feels smaller and more dumbed down after the expansion it received in Halo 2. The gunplay is definitely improved, so it has that, but I guess this just shows where my priorities are with games: gameplay is just one factor to the overall package, and story matters quite a lot to me, to the point where Halo 2 is the clear best of the trilogy, even though Halo 3 undeniably plays better overall.

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